Izumi (Kento Hayashi) was abandoned by his parents. He now commits burglary, targeting women and the elderly. He is chased by the cops. While on the run, in the mountains of Miyazaki Prefecture, he helps an injured elderly woman, Suma (Etsuko Ichihara). Izumi then stays at Suma’s home. At first, Izumi keeps an eye for money that he can steal. The people though in the village think Izumi is Suma’s grandson and take care of him. A change takes place in Izumi.
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If Nick Barrow can stay alive for 21 days, he’ll die happy. Everyone Nick knows wants him dead; Mob bosses, contract killers, and dirty cops. Performing the last act of a desperate man, Nick takes out a million dollar insurance policy on himself, payable to his estranged daughter. The problem? The policy doesn’t take effect for 21 days. Nick knows they’ll be lucky to be alive for twenty-one hours.
Chris Neilson dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife, Annie killed herself and went to hell. Chris decides to risk eternity in hades for the small chance that he will be able to bring her back to heaven.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.
A series of mishaps and misfortunes over $1 million in cash leads to murder, mayhem and greed.
An expatriate Russian dancer is on a plane forced to land on Soviet territory. He is taken to an apartment in which a black American who has married a Russian woman lives with her. He is to become a dancer for the Bolshoi again, but he wishes to escape, but can he trust the American?
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
When son, Billy, becomes a zombie the family chooses to take care of him in the home much to the chagrin of the neighbors and the local crime boss.
Barely being able to make ends meet and doing everything he can possibly do to cover his ill son’s growing medical bills, Hector Chavez turns to his fighting roots in the underbelly of LA. His amateur Mixed Martial Arts videos go viral grabbing the attention of the world’s top MMA federation. Hector is then given a dream come true opportunity to go up against the MMA World Champion; a vicious fighter whose last opponent is in critical condition in the same hospital as his son. Hector is faced with a real do-or -die situation and must risk it all so his son can have the surgery he needs to survive.
Thurgood Marshall, the first African-American Supreme Court Justice, battles through one of his career-defining cases.
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