A group of Catholic school friends, after being caught drawing an obscene comic book, plan a heist that will outdo their previous prank and make them local legends.

New York City is full of lonely hearts seeking the right match, and what Alice, Robin, Lucy, Meg, Tom and David all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

A taxi driver gets more than he bargained for when he picks up two teen runaways. Not only does the pair possess supernatural powers, but they’re also trying desperately to escape people who have made them their targets.

Carrie, Charlotte, and Miranda are all married now, but they’re still up for a little fun in the sun. When Samantha gets the chance to visit one of the most extravagant vacation destinations on the planet and offers to bring them all along, they surmise that a women-only retreat may be the perfect excuse to eschew their responsibilities and remember what life was like before they decided to settle down.

Adaptated from the cult graphic novel, Rottentail is the story of geeky fertility researcher Peter Cotton who, when bitten by a mutant rabbit, transforms into a vengeance-seeking half-man/half-bunny. What’s a boy to do? Why, take a hippity, hoppity trip home of course! Peter begins a bloody killing spree of revenge that culminates in his childhood hometown of Easter Falls.

Six twenty-something friends are spending New Year’s Eve at a summer house at the river. The host, Nicolas (writer and director Martin Piroyansky, XXY), brings his ex-girlfriend Pilar (Inés Efron, Empty Nest, XXY) with whom he just had a one-night stand. But, Nicolas hits on every other girl including the brooding Cata (Vera Spinetta) and the voluptuous Belén (Justina Bustos). When Nicolas unexpectedly falls into bed and then into love with the high-strung Manuela (Violeta Urtizberea) who also happens to be his best friend’s girlfriend, the last laugh is on him.

Rhonda and Kim Hamilton are two highly successful cousins with vastly different philosophies on dating. One is sexually liberated (A “Hoe” according to Kim) and the other is getting over the break-up of a long term relationship and dealing work issues (Not getting “Enough” according to Rhonda). Set in Atlanta these two young attractive single ladies take you on a whirlwind ride of One Night Stands, Tickle Tests, Bedroom “Whirlwind” Technique, Vanilla Allergies, Strippers, DL Suspects and tons of hilarious laughs.

A mild mannered, single mother, Katrina Jackson (Angel Conwell), and A.D.D. sufferer, DeMarco Gamble (London Brown) are two admiring parents raising their daughter in cut off households. When DeMarco falls in elevate bearing in mind different girl, Vilisa Whitaker (Faune Watkins), and plans a Christmas Wedding; Katrina sets in motion a diabolical turn toward to spoil their fairytale wedding. Sean Patrick Thomas (Save the Last Dance), Clifton Powell (Ray) and Jason Weaver (Drumline) round out the cast.

A pair of well-meaning, but socially inept brothers try to find their perfect mates in order to provide their dying father with a grandchild.

A veteran comedian’s last chance at stardom takes him on the road with a young comic whom reveals an unexpected past.

On one of his bratty son Eric’s annual visits, the plutocrat U.S. Bates takes him to his department store and offers him anything in it as a gift. Eric chooses a black janitor who has made him laugh with his antics. At first the man suffers many indignities as Eric’s “toy”, but gradually teaches the lonely boy what it is like to have and to be a friend.