Lung (Nick Cheung), a hardworking property agent, is facing a serious situation in life. His girlfriend won`t marry him unless he can buy her a 1000-sq ft. apartment in one year’s time; whilst Charlotte (Sammi Cheng) desperately needs a place to stay after her divorce. Along with Lung’s intern Very (Oho), a mainland richling, they become co-owners of the office girl Hak’s (Angelababy) small flat that was left to Hak by her estranged mother.
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After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and the unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during protest against the closure. José is bitter that his wife, Ana, is employed when he is not. The gap between them is widening and he is fearful that she will leave him for a co-worker. Despite arthritic legs, Ana endures night shifts at a fish factory and thinks her looks are now lost. Not everyone seems to agree including her boss. Lino, an aging family man doggedly pursuing positions beyond his qualifications. The oldest member of the group, Amador, has degenerated into alcoholism after being abandoned by his wife; maintaining an increasingly transparent pretense that his wife will soon return from holiday.
A non-verbal, autistic girl and a chatty boy are partnered on a canoeing trip. To complete their journey across an urban lake, they must both learn how the other experiences the world.
David Blair directs this powerful British Drama, loosely inspired by John Steinbeck’s novel ‘Of Mice and Men’. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can pay his debts.
A widowed mother and her son change when a mysterious stranger enters their lives.
A meteorite will destroy the world in three days. For Ale (Victor Clavijo), that means 72 hours of alone time, getting as drunk as possible. But when a mysterious drifter (Eduard Fernández) appears, the self-serving Ale faces a more immediate danger. Now, he finds himself protecting his mother (Mariana Cordero) and his brother’s children from his fellow man in humanity’s final hours. Daniel Casadella co-stars in this thought-provoking drama.
A story of young couple, Primo and George, who are in a long-term relationship and are already building and planning their future together. Their love will be put to the test as their relationship faces hurdles from misunderstandings to different career paths, among others. How will they save their “us”?
A pregnant woman on bed rest begins to wonder if her house is haunted or if it’s all in her head.
Three stories adapted from the work of Edgar Allen Poe: 1) A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. 2) A derelict challenges the local wine-tasting champion to a competition, but finds the man’s attention to his wife worthy of more dramatic action. 3) A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences.
A deadly mistake sets an introspective henchman on a violent crusade against a mid-level crime boss with demons of his own. (IMDB)
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones’ lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones’ inner lives — it’s an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
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