Joanna Kendall must choose between right and wrong when she accidentally hits a young girl with her car. After leaving to call for help, she returns – only to hear the reaction of horrified onlookers, who are outraged that the culprit left the scene of the crime. In a moment of panic and confusion, Joanna makes the life-changing decision to remain silent. The effect snowballs, as this perfect wife and mother must grapple with her guilt, as well as with the female detective who suspects her.

A small European town, where sisters Ayia and Mirra live, gets struck down by an unknown disease which takes many lives. Following their mother’s death, the younger sister falls ill. Having realized that conventional medicine is useless in the face of the sister’s disease, Ayia seeks help from Father Herman, a parish priest and a close family friend. In his house she finds books that are very far from the conventional religion. She gets to know that only penetration into Mirra’s sick subconscious mind and discovery of the true cause of her disease will give her a chance to save her sister. Ayia is ready to go through this terrifying ritual, dive into the depths of the subconscious mind, and face the demons residing there.

An overlooked pencil-pusher catches her husband in bed with another woman, the shock of which causes him to die of a heart attack. So she buries his body and takes advantage of the growing celebrity status that comes from having a missing husband. But she quickly finds herself in over her head, dodging cops and criminals, all while trying to keep the truth from her sister, a local news anchor who’s desperate for a story.

Commander Steve Rogers crash-lands on a planet inhabited solely by women. All of the men were killed in a mining accident some twenty years before. The town where he wakes up is straight out of the old West. Both the sheriff and the mayor of the town take an immediate liking to Steve and each tries to claim him for themselves. The local bar maid is also interested but not quite as pushy as the first two. It looks like our man Steve may be trapped on a planet of beautiful women. But as usual in these things, you need to be careful what you wish for since you might get it…

Years of friendship, laughter and love shared between two brothers faces the music when a 14 year old boy is confronted with the complexities of a simple relationship.

P.C. George Dixon (Warner) a long-serving traditional “copper” who is due to retire shortly, takes a new recruit, Andy Mitchell (Hanley), under his aegis, introducing him to the easy-going night beat. Dixon is a classic Ealing ‘ordinary’ hero, but also anachronistic, unprepared and unable to answer the violence of Tom Riley (Bogarde). Called to the scene of a robbery at a local cinema, Dixon finds himself face-to-face with Riley, a desperate youth armed with a revolver. Dixon initially tries to talk Riley into surrendering the weapon, but Riley panics and fires. Dixon walks to his own death almost uncomprehending. Dixon is taken to hospital, but dies some hours later. The ending is another Ealing quirk, with ordinary decent society, including ‘professional’ criminals used to violence, banding together to track down and catch the murderer, who is trapped in the crowd at White City greyhound track in west London. To Andy Mitchell falls the honour of arresting Riley.

A DEA agent and an undercover Naval Intelligence officer who have been tasked with investigating one another find they have been set up by the mob — the very organization the two men believe they have been stealing money from.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

Two sisters come together to spend Christmas with their families in their recently deceased parents’ falling down country house, with hilariously chaotic consequences, as ancient sibling rivalries flare up again to sabotage the hoped for season of good will.

Film about the lead up to the Polish uprising against German occupation at the end of the Second World War.

A teenage thief tries to leave town to escape the violence that threatens him and he people he loves.

Hazel suffers from a crippling case of agoraphobia. So much so that it causes a rift between her and her mother, Dee. Hazel and her mother decide to go on a road trip to a desert facility to help Hazel deal with her fear but when gunmen and brothers Jesse and Pru attack them, Hazel has to battle her fears so she and her mother can survive.