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Gwen van de Pas returns to her hometown in search of answers about the man who sexually abused her as a child.

At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the “demi-gods of Canadian metal, ” influenced a musical generation that includes Metallica, Slayer, and Anthrax,. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

A documentary on the making of Frank Henenlotter’s Basket Case trilogy.

Ukonvaaja – The Hammer of Ukko – is a documentary film that focuses on ancient Finnish folklore and mythology.

For all the shame we hide For all the blame assigned It’s time we have our say On how we are defined

After seven years in a Thai prison, a former Muay Thai champion joins a controversial government program that allows inmates to fight for their freedom. A victory in his final fight will grant him a royal pardon and bring him one step closer to the son he left behind.

Having to prove the existence of God to an atheist is like having to prove the existence of the sun, at noon on a clear day. Yet millions are embracing the foolishness of atheism. “The Atheist Delusion” pulls back the curtain and reveals what is going on in the mind of those who deny the obvious. It introduces you to a number of atheists who you will follow as they go where the evidence leads, find a roadblock, and enter into a place of honesty that is rarely seen on film.

The film chronicles Nina Simone’s journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

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