Morgan Spurlock (Super Size Me) tours the Middle East to discuss the war on terror with Arabic people.

The definitive photographic record of the 1984 Los Angeles Olympics, told “from the inside” through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.

Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?

We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector.

The Indigenous Uru-eu-wau-wau people have seen their population dwindle and their culture threatened since coming into contact with non-Native Brazilians. Though promised dominion over their own rainforest territory, they have faced illegal incursions from environmentally destructive logging and mining, and, most recently, land-grabbing invasions spurred on by right-wing politicians like President Jair Bolsonaro. With deforestation escalating as a result, the stakes have become global.

Why is it we never actually see a ghost in the dozens of documentaries out there, yet people claim they see them daily. A non believer, and his film friends seek out to find the truth.

Released in 1995, Paul Verhoeven’s SHOWGIRLS was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

The story of a family that suffers a tragedy, but perseveres and finds redemption through each other and their work – making art.

The story of four women in Jim Jones’ inner circle who helped plan the 1978 Jonestown Massacre, one of the largest murder-suicide events in modern history which left 918 men, women and children dead.

Over the course of a hilarious and deeply personal hour, Maron explores such universal topics as getting older, antisemitism and faith, and the superiority of having cats over children – especially during the pandemic.

What’s it like to feel no emotion?

The story of Robert Flanagan, a man who was born with cystic fibrosis and told he wouldn’t live past 20, who through a unique odyssey of masochism, art and love found a way to live decades past his expiration date.