Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.

Three sto­ries that explore love, com­mit­ment, and loy­al­ty between cou­ples and friends. “Two for Din­ner” where a mar­ried cou­ple tem­porar­i­ly liv­ing in two dif­fer­ent loca­tions are more sep­a­rat­ed than they think. “Sail­ing Les­son” about a long-mar­ried cou­ple who spend a day on a sail­boat rekin­dling their romance… and unex­pect­ed events arise. “Late Lunch” where a young woman who recent­ly lost her moth­er gath­ers togeth­er a group of her moth­er’s friends to share mem­o­ries, with sur­pris­ing rev­e­la­tions.

A group of moms celebrating ladys night are forced to fight for their lives when their quiet town is overrun by a ravenous horde of flesh eating corpses. Will they be able to meet up with their husbands, save their children who are away at summer camp and make it home in time for dinner? Watch Milfs Vs. Zombies and find out!

Based on a New York Times article depicting a single dramatic day in the life of a Latina gang leader in South Central L.A.

This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…

Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.

An aimless girl in her final week of college goes to great lengths to win the affections of a boy from her hometown, Philadelphia, and ends up having to confront anxieties about her love life, family, and future. A mumblecore for people of color.

Aram is a wearied accountant with an unbearably dull existence. With a nagging wife who berates him for not being assertive enough, and a measly paycheck, he quietly suffers while awaiting a long-deserved promotion. But there’s more to Aram than his mild-mannered demeanor lets on: he has been secretly devising a scheme to finally get what he feels he is owed. One day he asserts his power menacingly when he kidnaps a schoolgirl and keeps her tied up in an abandoned warehouse. What seems like the perfect plan soon unravels into his worst nightmare, and his carefully constructed scheme comes crashing down piece by bloody piece.

Two strangers spark romance through their unusual habit.

Two young women are raped on their way home. The story follows the lives of both women and the different ways they deal with the crime.

An American couple (John Malkovich, Debra Winger) drift toward emptiness in postwar North Africa.

Based on a trues story. In the summer of 1984 – Margaret Thatcher is in power and the National Union of Mineworkers (NUM) is on strike. At the Gay Pride March in London, a group of gay and lesbian activists decides to raise money to support the families of the striking miners. But there is a problem – the union seems embarrassed to receive their support. However the activists are not deterred. They decide to ignore the union and go direct to the miners. They identify a mining village of Onllwyn, in the Dulais Valley in Wales, and later set off in a mini bus to make their donation in person. And so begins the extraordinary story of two seemingly alien communities who form a surprising and ultimately triumphant partnership.