Diana McQueen notorious con-woman has had enough. She leaves town and her boss, Tom Rourke, behind. She takes the place of her dying friend, who was to become some man’s mail-order bride. Can she pull off this last con?

Tenth entry in the Carry On series. Able seaman Poop-Decker (Bernard Cribbins) signs up for adventure on the high seas with the wicked Captain Fearless (Kenneth Williams). Those swabbing the decks include Juliet Mills, Charles Hawtrey and Donald Houston. The film was originally to be entitled ´Up the Armada´, but the British Board of Film Censors objected to such a rude title.

An everyday man has only three and a half days and limited resources to discover why he was imprisoned in a nondescript room for 20 years without any explanation.

A thriller in which a battle of philosophies between a fundamentalist Christian and an atheist escalates into a lethal battle of wills.

A lonesome stranger, secure, nerves of steel, must track down and kill a rogue Hitman to satisfy an outstanding debt. But the only information he’s been given is a time and location where to find his quarry – 5pm at a rustic diner in the dying town. No name, no description, nothing. When the assassin arrives there are several possible targets, including the county sheriff. Endangering his life, the assassin embarks on a manhunt to find the Hitman and accomplish his mission. But the danger escalates when the erotic encounters with a local woman threaten to derail his task.

Appu is a young homestay owner in Goa. He lives with his father, mother and younger sister. His father Baba is a retired goon who got tricked and surpassed by Abusi one of his followers. Amidst all the problems caused by his friend Macroni, Baba and Abusi, a young Malayali girl Zaya comes into his life on a Russian New Year eve. How her relationship with Appu affects his life is the soul of the film.

Accomplished sailor Charlie St. Cloud has the adoration of his mother Claire and his little brother Sam, as well as a college scholarship that will lead him far from his sleepy Pacific Northwest hometown. But his bright future is cut short when a tragedy strikes and takes his dreams with it. After his high-school classmate Tess returns home unexpectedly, Charlie grows torn between honoring a promise he made four years earlier and moving forward with newfound love. And as he finds the courage to let go of the past for good, Charlie discovers the soul most worth saving is his own.

After a prosecution lawyer is framed and convicted for murder, he tries to catch the real murderer from jail with the help of a con artist.

Laura Ullman, a single mother, kills her abusive ex-boyfriend and turns the gun on her son when he threatens to call the police. Paul leaves home to start a better life and falls for Ashley, a young woman looking for direction in her life, unaware of his past troubles.

Although a successful romance novelist, Terry Russell hasn’t had luck in her own love life. After a disastrous first date with cocky, hot-shot New York chef Matthew Everston, she retreats to her friend’s French villa for the summer to finish her latest novel, with her reluctant teenage daughter in tow.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

Drowning in debt, child support and bills all while white knuckling it through sobriety, Francis is coming undone. When his roommate, Shelly, goes missing, Francis is thrown headlong into her private world; a slip stream of money, violence and terrifying allegiances. As secrets are exposed and tensions mount, a search for Shelly devolves into striving for meaning in the face of oblivion.