Four women, who have their own different sorrows, embark on a road trip. They look back at their past and restart their lives… Jinko (Aoi Miyazaki) and Motoko (Sakura Ando) have been friends since their university days. One day, they hear a rumor about their former classmate and friend Miki (Kazue Fukiishi). The rumor is that Miki ran into the sea, but got out safely. Jinko and Motoko decide to visit Miki to see if she is OK. In addition, Haraki (Shiori Kutsuna), who Jinko met at the library where she works, joins their trip as a driver. Their one night and two days road trip begins.
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A man awakens in an empty house that he is unable to leave. Battling fatigue, injury and amnesia, and guided only by a cryptic voice on his phone, he begins piecing together fractured memories of the events that led him to be trapped. With a terrifying presence confining him inside the house, he ultimately discovers a truth more horrifying than he could have ever imagined.
Red This is the third film from the trilogy by Kieślowski. “Red” meaning brotherliness. Here Kieślowski masterly tells strange coincidentally linked stories in the most packed work.
John Rancour – an aging, corrupt detective on the run for murdering a fellow police officer in cold blood. With enemies on both sides of the law wanting him dead – Rancour has no choice but to seek help from the very man that exposed his crimes and sent him into exile – journalist Tyler Chase. Rancour takes Tyler captive, forcing him to tag-along on a one-night race against time to expose and eradicate the system of corruption that he helped create in his years on the force. Complicating matters further is Rancour’s former partner and best-friend, Detective Frank Hanaway, who wants nothing more than to stop the pair from making it through the night alive. As the night wears on and the bodies begin to pile up in their wake, Tyler starts to believe that there is more to John Rancour and his motives than he originally accused; and that the people and places he witnesses could lead to a bigger story than he ever thought possible. Written by Jordan Brown
Apart from a few simple houses, a bar, a gas station with a mini supermarket and a garbage dump, there really is nothing in rural Fulton County, Georgia. Introverted Joel works at the garbage dump where he sometimes finds a useful glass bottle or two, which he cleans up and takes home. Then, one day, he receives an unexpected phone call: his ex-wife has disappeared and it is now his responsibility to look after their son. Joel, about to meet his son for the very first time, has no idea how he is going to build a relationship with 10-year-old Will who also seems to live in a world of his own. Luckily for them, Clara, a bright girl from the neighbourhood, is on hand to help, and Will begins to open up to his father. But the youth welfare officer is already banging on the door. Director Jaron Albertin’s directorial debut is a sensitive, slightly melancholic drama about two outsiders who discover a deep understanding of each other.
It takes place in a near future, in a fallen world after a devastating world war between woman and man. Only one percent of the world’s population has survived the war and most of them are women. The few surviving men are being killed or captured by female groups, driven by the vision and the determination to build a new world, ruled only by women.
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
The story of eight women and how they served their country during World War I.
Jessica Clark starts a business with no plan, no money, and no integrity. She is convinced that God will bless her business solely because she faithfully pays tithes and offerings to her church. Jessica, like other members of Abundant Life Cathedral, is experiencing hard times and have yet to receive the financial blessings so passionately promised by her pastor. After witnessing Jessica’s dysfunction, delusion, and doctrinal detriment, successful businessman, Michael Juniors, offers to help. Although Jessica deems Michael to be a “demon from hell,” he ironically proves to be her blessing and ultimately helps Jessica see God, life, love, and business in the perfect light.
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