Spike Lee pays tribute to Michael Jackson’s Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.

An examination of the infamous thirty-year-old cold case of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son. Along the way there have been mysterious sightings, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny.

A personal portrait of mythical and controversial actress Ingrid Bergman based on her many home movies and diaries.

“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now…

Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent’s unique locations. Herzog’s voiceover narration explains that his film will not be a typical Antarctica film about “fluffy penguins”, but will explore the dreams of the people and the landscape.

Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.

Follows the life of Clarence Avant, the ultimate, uncensored mentor and behind-the-scenes rainmaker in music, film, TV and politics.

One man with a website who forever changed the media paradigm, upending the traditional press and changing the ground rules of political journalism.

Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.

Exploring the labyrinth of the contemporary art world, The Price of Everything examines the role of art and artistic passion in today’s consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, the film exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless.

A deep dive into the mysteries that led a young American man name John Walker Lindh, who became known as the “American Taliban,” to the battlefield in Afghanistan fighting alongside the people who were supposed to be his enemy.

Ai Weiwei is known for many things – great architecture, subversive in-your-face art, and political activism. He has also called for greater transparency on the part of the Chinese state. Director Alison Klayman chronicles the complexities of Ai’s life for three years, beginning with his rise to public prominence via blog and Twitter after he questioned the deaths of more than 5,000 students in the 2008 Sichuan earthquake. The record continues through his widely publicized arrest in Beijing in April of 2011. As Ai prepares various works of art for major international exhibitions, his activism heats up, and his run-ins with China’s authorities become more and more frequent.