Residents in a lonely gulch of inland California bear witness to an uncanny, chilling discovery.
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Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
A Semester at Sea ship is attacked and sunk by a mutated two-headed shark, and the survivors seek refuge on a deserted atoll. The coeds, however, are no longer safe when the atoll starts flooding.
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In a dry and dusty post-apocalyptic world, two wayfarers wander aimlessly until Leif finds a copy of The Wonderful Wizard of Oz. Using the world around him to interpret what he reads, Leif allows the book to challenge the beliefs, friendship, and even the very survival of these two divergent travelers.
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