Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts.

Andula, an innocent Czech girl from a factory town, is desperately in search of love. She believes she’s found it when she beds Milda, a charming young musician visiting from Prague. Milda, however, is only looking for a casual encounter, and leaves town assuming he’ll never see Andula again. But when Andula doesn’t hear from him, she packs up and heads to Prague, to the surprise of Milda and his parents.

A new school year, his brother Rodrick teases him over and over and over and over again. Will Greg manage to get along with him? Or will a secret ruin everything?

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Linda Kasabian falls prey to the hypnotic charms of Charles Manson and his self-proclaimed “family” during the drug-fueled summer of 1969.

Aditya Singh, fondly called Adi Chachu by the children of his brother, lives in a large mansion in Mumbai with his brother, sister-in-law, sister and grandmother. He is the only one working in the family. He falls in love with a local teacher, Priya. They confess their feelings to each other and plan a wedding. However, before the wedding day Adi is run over by a truck to save Parth and dies. In afterlife, he meets The Hindu God of Death, Yamraj, a kind-hearted, emotional deity with designer clothes and an red old car. Yamraj allows Adi to go back to Earth as a ghost to stop his evil uncle who wants to sell Adi’s mansion to industrialist Hirachand. Adi enlists the aid of Shakti, a little boy, in order to save his family home.

Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow’s help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.

For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960’s Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

After his release from prison, notorious ex-con and moonshine distiller Gator McKlusky moves in with his father in a cabin in the Okefenokee Swamp. His bootlegging plans are cut short, however, when a federal agent tells McKlusky that he will lose custody of his 9-year-old daughter unless he helps bring down local crime lord Bama McCall. McKlusky enlists the help of reporter Aggie Maybank and a few local eccentrics to bring down McCall’s empire.

A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.

Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.