After blind man Walter Cooke (Eric Jacobus) prevents a local gang from shaking down his local grocer Gordon (Roger Yuan), Walter must reckon with the gang’s boss Sal (Joe Bucaro). The stakes are high, but Walter’s got an ace up his sleeve.

Three friends enact an innocent revenge on one’s rapist but things spiral out of control resulting in the deaths of each of their lovers.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery’s visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

The Three Wise Men – Balthazar, Melchior and Gaspard – are on their way to Bethlehem to pay homage to the infant Jesus when they are suddenly, an inexplicably, transported two thousand years into the future. They find themselves walking the streets of Paris, where they encounter a young woman called Macha who, they are convinced, will lead them to the newborn Messiah.

Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend Wray lead a team of accidental warriors into the night.

While gathering evidence to support closing a tropical U.S. Air Force base, a congressional aide warms to its generous captain.

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From the first time he performed Swimming to Cambodia – the one-man account of his experience of making the 1984 film The Killing Fields – Spalding Gray made the art of the monologue his own. Drawing unstintingly on the most intimate aspects of his own life, his shows were vibrant, hilarious and moving. His death came tragically early, in 2004; this compilation of interview and performance footage nails his idiosyncratic and irreplaceable brilliance.

Mallory and Miller are back. The survivors of Navarone are sent on a mission along with a unit called Force 10, which is led by Colonel Barnsby. But Force 10 has a mission of their own which the boys know nothing about.

Filmed in a tiny backyard at the height of the pandemic, Christian Finnegan brings his brand of ‘social autopsy’ to topics that range from the dumb (pharmaceutical names, baguettes) to the super dumb (QAnon).

The Sad Cafe brings to life the gritty world where cause and effect, life and death, love and hatred play out a delicate balance. A place where unrequited love is the driving force behind closing ourselves off from the world, and is the cause of unrelenting bitterness to the happiness that was taken from us, the happiness we long for. The Sad Cafe is, at its core, a love story…a romance tragic in all aspects. A testimony to the pain people endure in their pursuit for love and companionship. “…intense and impressive … a compelling story of love and crime… [with]…crackling moments of gore and action…” Ain’t It Cool News “…must be seen … a dynamic action thriller from visionary young director Bennie Woodell…” Wildside Cinema

A woman with no name teams up with a resourceful militiaman and a video-store clerk turned wandering gunslinger to rescue a scientist who may hold the key to ridding the world of the undead.