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Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

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O-bok’s eldest daughter is about to get married to an educated, well-off young man, but she’s far from happy. It’s not just hot weather, hot flushes, her daughters’ materialism, her mother’s dementia, her husband’s drinking, or the impending gentrification of the food market where she sells fish – although all of that will push her to take a stand. After trying to cover it up, O-bok reveals to her daughter that she was raped by a fellow stallholder, the man organising the traders against their landlords. Increasingly furious, O-bok eschews the useless police to pursue her own justice, even if it means a physical fight.

Luke and his wife, Sarah, go on a trip to heal the pain of an affair by Luke. Sarah is only going to show her sister a good time. While on the trip both Sarah and her sister is kidnapped. Luke, with out his family, will have NOTHING LEFT. He’ll get them back or die trying.

A top Hollywood talent agent finds his cushy existence threatened when he discovers that his wife is cheating on him and that his journal has been swiped by a reporter out to bring him down.

A young couple in London struggle to live with their estranged aunt and uncle, who overstay their welcome.

Amid the modern wastelands and toxic factories of Italy, wife and mother Giuliana (Monica Vitti) desperately tries to conceal her tenuous grip on reality from those around her, especially her successful yet neglectful husband, Ugo (Carlo Chionetti). Ugo’s old pal, Corrado (Richard Harris), shows up in town on a business trip and is more sensitive to Giuliana’s anxieties. They begin an affair, but it does little to quell Giuliana’s existential fears, and her mental state rapidly deteriorates.

A unique, intimate and honest portrayal of a girl grieving for the loss of her best friend. That just happens to take place on the day the world ends as we know it.

At the heart of this true story is Damien Oliver, a young jockey who loses his only brother in a tragic racing accident, hauntingly reflecting of the way their father died 27 years earlier. After suffering through a series of discouraging defeats, Damien teams with Irish trainer Dermot Weld, and triumphs at the 2002 Melbourne Cup in one of the most thrilling finales in sporting history.

Loss and love in the storm of guitars and broken glass that was the 00’s UK indie music scene​.

With the help of a talking freeway billboard, a “wacky weatherman” tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.