The 2010 documentary Under the Boardwalk: The MONOPOLY Story, covering the history and players of the game, won an Audience Award for Best Documentary at the 2010 Anaheim International Film Festival. The film played theatrically in the US beginning in March 2011 and will be released on Amazon & iTunes on February 14, 2012. The film is narrated by Zachary Levi.

A filmmaker discovers a box of video tapes depicting two students’ disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.

With the instant reach of social media and explosion in cyber porn, a child sex slave can be purchased online and delivered to a customer more quickly than a pizza. Stopping Traffic: The Movement to End Sex Trafficking starts the conversation on a taboo topic – with raw images of life on the streets, heart-pounding rescues and gut-wrenching, personal stories – ultimately offering a story of hope and empowerment, with the goal of engaging others in launching a movement to end modern-day slavery. With 27 million victims, human trafficking is the 2nd largest criminal enterprise in the world. Not just a back-alley enterprise in underdeveloped regions, it’s also prevalent in the U.S. and industrial nations. Stopping Traffic takes an unflinching, first-hand look at this shadowy underworld, telling the shocking story through the eyes of survivors, veteran activists, front-line rescue organizations and celebrities who support the cause, including Dolph Lundgren and Jeannie Mai.

Some thirty years ago, a working-class subculture was taking grip of cities across the UK that has left a lasting legacy. This began on the back of the mod revival of the late 1970s when notorious football firms from the cities like Liverpool, Manchester and London stole expensive designer sportswear from the countries they visited. It didn’t start with the high-street giants telling these lads what to wear. Instead, they set the trends and the high-street stores caught up. As the 1980s began in Britain, under the radar the ‘casual’ had already arrived. From Barcelona to Berlin, Milan to Moscow, teenagers today are copying fashions and a culture that developed on the streets and terraces of British cities. But how did the football casual subculture come about? What did they stand for? What made them tick? Why it’s legacy is still having an impact on today’s fashion industry.

Retrospective documentary on the making of the low-budget horror cult favorite Night of the Demons (1988).

More people are imprisoned in the United States at this moment than in any other time or place in history, yet the prison itself has never felt further away or more out of sight. This is a film about the prison in which we never see an actual penitentiary. The film unfolds a cinematic journey through a series of landscapes across the USA where prisons do work and affect lives, from an anti-sex-offender pocket park in Los Angeles, to a congregation of ex-incarcerated chess players shut out of the formal labor market, to an Appalachian coal town betting its future on the promise of prison jobs.

Long before O’Reilly and Beck, Morton Downey, Jr., was tearing up the talk-show format with his divisive populism. Between the fistfights, rabid audience, and Mort’s cigarette smoke always “in your face,” The Morton Downey Jr. Show was billed as “3-D television,” “rock and roll without the music.” Évocateur meditates on the hysteria that ended the ’80s and ultimately its most notorious agitator.

Based on a true story, this film tells the tale of the 1950 US soccer team who, against all odds, beat England 1 – 0 in the city of Belo Horizonte, Brazil. Although no US team has yet won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.

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November 22nd, 1963 was a day that changed the world forever — when young American President John F. Kennedy was assassinated in Dallas, Texas. This film follows, almost in real time, a handful of individuals forced to make split-second decisions after an event that would change their lives and forever alter the world’s landscape.

Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.

My mother has died. Her name was Maria. Her children, we, Raúl and Santiago, discover among the objects left by our mother hundreds of photographs from our maternal grandfather, from REGINA -our great-aunt-, from our mother, from our father… And through those photographs, and with the help from an old camera -my grandfather’s inheritance-, I, -along several trips to the places where those photographs were taken-, seek to recover and not lose my memory… that of my family. In the end, we will have to think on our memory and on what we have preserved and lost.