Somewhere in the world right now–much closer than you think–people are playing with trains. You might not see them at first, but they’re there. In basements. In garages. In converted Army barracks. They’re among the world’s most compelling underground communities.
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Directed by acclaimed filmmaker Martin Scorsese and his longtime documentary collaborator David Tedeschi, A 50 Year Argument rides the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices. Confrontation and original argument are in the Review’s DNA – the magazine seems as vital now as when it was run by its indefatigable founding editors, Robert Silvers and the late Barbara Epstein. Co-produced with the BBC’s award-winning Arena and shaped by Scorcese’s vivid filmmaking style, The Fifty Year Argument captures the power of ideas in influencing history.
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“If buildings could talk, what would they say about us?” CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
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Broadway Idiot follows Green Day’s Billie Joe Armstrong from a punk rock concert at Madison Square Garden to the opening of his musical American Idiot on Broadway – only ten blocks away, but worlds apart. From behind the curtain share in the crazy journey of turning the mega-hit album into a punk rock musical – and ultimately see how the world of theater transformed Billie Joe.
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