Niamh is the lone survivor of a bloody massacre after the furniture and objects in her family’s isolated house take on a monstrous life of their own. The police ignore her wild stories and the family friends and social worker who take her in try to introduce a new life. But in this psychological thriller, Niamh is unable to leave her violent past behind her, endangering everyone who crosses her path.

Paul Tyson is a loving husband, devoted father and well-respected businessman on the brink of the biggest business deal of his career. And then Julia walks in. Breathtakingly beautiful, Julia is sent to manage the high-stakes buy-out of Paul’s company but the relationship goes a bit farther than intended. As the pressures of a crumbling company creep in and intense new feelings abound, wedding vows get put on the back burner and the question arises… Just what is adultery?

IT’S NOT A DATE tells the story of Carly and Milo, a couple in their twenties on their first date. Although “It’s not a date” but more of a casual meet at a local club; it begins as a classic girl meets boy saga with casual conversation that escalates to a night of passion. It evolves, NOT into a romantic partnership or a parting nod, to “bad chemistry” but instead with Carly. Frustrated with a life full of bad dates and believing that Milo is the worse of them she takes Milo on a detour into insanity so extreme he wishes “It’s not a date.”

John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.

Barely able to process the death of her true love, Josie is drawn into a twisted relationship with the deceased’s mother as irrational grief explodes in beautiful and terrifying ways.

Tess Delaney gets the surprising news by estate executor Damhnaic McAuley that she has inherited half of an apple orchard from the father she never knew and has a half-sister she didn’t know about. When she visits the orchard and connects with her new-found family, she learns that the orchard is deep in debt. Using her knowledge as an antiques expert, Tess and her half-sister work to unravel the mystery of their grandmother’s “treasure” that could hold the key to saving the orchard. And, in the process, Tess ultimately finds a new understanding of herself.

An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women’s lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.

After her brother mysteriously vanishes from the Mexican desert, a young woman sets out to uncover the otherworldly truth about his disappearance.

Emma is a young and beautiful graduate student just starting a new life in New York City. Like most people her age, she is always connected – her phone and laptop are constant companions, documenting her most intimate moments. What she doesn’t realize is that she’s sharing her life with an uninvited and dangerous guest. A hacker is following Emma’s every move. When the voyeuristic thrill of watching her digitally isn’t enough, the situation escalates to a dangerous and terrifying level.

An odd-but-gifted poet, Evan Merck (Wes Bentley, ‘American Beauty’) makes his living writing suicide notes for the soon-to-be departed. So when he meets Charlotte (Winona Ryder, ‘Girl, Interrupted’), the free-spirited sister of his latest client, Evan has no choice but to lie about his relationship to her late, lamented brother.

This 2001 J-Horror effort from director Naoyuki Tomomatsu is set in a future dystopia where teenaged girls begin dying for no apparent reason — and often in an elated, chronically happy state of mind. One of these girls, Stacy, is back from the dead, however, and she’s ready to gorge herself on human flesh. As more and more teenage-girl zombies begin to feast on the living, the people of Japan brace themselves and try to find a way to end the madness.

World renown vampire fighter, Professor Bartholomew Dubbs is giving a weekend workshop on how to find and kill vampires at his Institute for Vampire Slaying. Little does he know that his class has been infiltrated by vampires and the leader of their coven, Camelia Bumbescu is out to kill Dubbs during the red moon to avenge the death of her lover 300 years earlier by Dubb’s great great great great great grandfather Gunter Dubbs. The good Professor has three assistants lead by by Samantha Wilson who try to help but how can they possibly compete against this odd band of misfit vampires.