A financial schemer finds himself in the middle of an international scandal after he becomes a political adviser to the new prime minister of Israel.

Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.

Loosely based on The Tale of Darkness, a traditional song of mourning, the film follows Wang Zhun, a director in search of inspiration for his new script, as he embarks on an unpredictable trek across China’s remote Shennongjia mountains in Hubei province with an urbane producer, Ding Hongmei; a young actor named Bai; and his loyal photographer, Du Chun. The journey delivers a relentless series of unexpected physical hardships and subtle emotional ebbs and flows on the protagonists.

After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.

Al Stanco has lived all of his life in Brooklyn and does some work for the local crime lord, Danny Parente. New to the neighbourhood is Gabriela, a filmmaker shooting a documentary on the real Brooklyn. Al and Gabriela become friendly but the relationship is strained when he discovers her true goal is to expose Parente’s criminal activities. When Al sees the evidence Gabriela has uncovered, which implicates Parente in the death of many locals (including Al’s own father), he seeks revenge in a dangerous confrontation with his boss.

After having a chance encounter with a mysterious character, Wendy, a young working class mother, discovers that she has super powers.

After being humiliated online, an influencer decides to get back at her now ex by taking a dare to turn the school’s biggest loser into a Prom King.

An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name – Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.

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35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.

Kyung-chul is a dangerous psychopath who kills for pleasure. He has committed infernal serial murders in diabolic ways that one cannot even imagine and his victims range from young women to even children. The police have chased him for a long time, but were unable to catch him. One day, Joo-yeon, daughter of a retired police chief becomes his prey and is found dead in a horrific state. Her fiance Soo-hyun, a top secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take bloody vengeance against the killer, even if it means that he must become a monster himself to get this monstrous and inhumane killer.

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