In full-on investigative mode, reporters from The New York Times, The Wall Street Journal and Hollywood Reporter doggedly pursue the story of US $3.5 billion missing from a Malaysian wealth fund. They trace the dirty money, via real estate deals and movie financing, back to the top tiers of the Malaysian government. Incredibly (but oh, how fitting!), the audacious swindlers chose to back the 2014 blockbuster The Wolf of Wall Street. Hollywood A-listers, including Leonardo DiCaprio, attended lavish parties hosted to launch the film. The embezzlement was orchestrated by a flamboyant fancier, Jho Low, and Riza Aziz, the stepson of the then-Malaysian Prime Minister. As the truth finally comes to light, assets are frozen and the fall-out begins.

Lizzie’s best friend, Andie, becomes pregnant and offers to give the baby to her. Lizzie’s husband, Peter, reluctantly goes along with being the child’s father, and Andie moves into the guest room for the remainder of the pregnancy.

Mentally ill young woman Valda convinces herself that a boy growing up in an orphanage is her child. Following the footsteps of a thousands Lithuanians, she immigrates to Ireland to earn money to save him. “Loss” portrays beauty and tragedy in the human heart.

Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphan victims of the Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.

So-young, a 65-year-old woman is so called ‘Bacchus lady’, one of the most reputed prostitute for old men at the old park in the center of Seoul. One day she learns that her customer SONG gets stroke, and pays him a visit. Being left behind by his family SONG cries out for his miserable life; and desperately asks So-young to end his life. After a long hesitation So-young decides to help him. When she confesses SONG’s death assistance to another customer Jae-woo, Jae-woo asks if it is possible to kill his friend who’s suffering from Alzheimer’s disease. So-young persistently refuses but at last grants his favor. So-young finally falls into chaos when Jae-woo eventually asks her to help his suicide after long loneliness.

A dysfunctional family attempts to work together to support their grandmother during her final days of life

Tess enlists her biological father – a lovable slacker from the wrong side of the tracks – and the charming juvenile delinquent next door to help her come to grips with the death of her little sister.

A man does everything in his power to keep ownership of a seaside cottage he built with his late wife.

Archie Grey Owl is a trapper in Canada in the early 1930s when a young Iroquois woman from town asks him to teach her Indian ways. They live in the woods, where she is appalled at how trapped animals die. She adopts two orphaned beaver kits and helps Archie see his way to stop trapping. Instead, he works as a guide, a naturalist writer, and then the Canadian government hires him to save the beaver in a conserve by Lake Ajawaan in Prince Albert National Park. He writes a biography, which brings him attention in Canada and invitations to lecture in England. Before he leaves, he and Anahareo (Pony) marry. In England, his secret is revealed. Will Anahareo continue to love him?

When young Baptiste meets Cookie Kunty, a young Parisian drag queen, he feels compelled to start a new photographic project.

A vigilante helps victims escape their domestic abusers.

Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah’s Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.