In JINGLE BELL ROCKS!, director Mitchell Kezin delves into the minds of some of the world’s most legendary Christmas music fanatics and hits the road to hang with his holiday heroes – including hip hop legend Joseph “Rev Run” Simmons of RUN-D.M.C., The Flaming Lips’ frontman Wayne Coyne, filmmaker John Waters, bebopper Bob Dorough, L.A. DJ and musicologist Dr. Demento, and Calypso legend The Mighty Sparrow. In his search for the twelve best, underappreciated Christmas songs ever recorded, Kezin both asks and answers the question, “Why, when Christmas rolls around, are we still stuck cozying up with Bing Crosby under a blanket of snow?”
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Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
Distraught when her middle-aged lover breaks a date with her, 21-year-old Toni Simmons attempts suicide. Impressed by her action, her lover, dentist Julian Winston reconsiders marrying Toni, but he worries about her insistence on honesty. Having fabricated a wife and three children, Julian readily accepts when his devoted nurse, Stephanie, who has secretly loved Julian for years, offers to act as his wife and demand a divorce.
Two formidable Native American women, both chief judges in their tribe’s courts, strive to reduce incarceration rates and heal their people by restoring rather than punishing offenders, modeling restorative justice in action.
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A feature length documentary film representing the ‘B’ side to the 2012 release ‘Something from Nothing: The Art of Rap’. A hard hitting story of life and death in South Central Los Angeles. A struggle beyond the nearby Hollywood limelight among people for whom state intervention comes mostly with a siren attached. Amsterdam Film Festival Winner World Cinema Documentary Editing Award 2014.
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