Author P.L. Travers travels from London to Hollywood as Walt Disney Pictures adapts her novel Mary Poppins for the big screen.

The Banjo Project is a cross-media cultural odyssey: a major television documentary, a live stage/multi-media performance, and a website that chronicle the journey of America’s quintessential instrument—the banjo—from its African roots to the 21st century. It’s a collaboration between Emmy-winning writer-producer Marc Fields and banjo virtuoso Tony Trischka (the Project’s Music Director), one of the most acclaimed acoustic musicians of his generation.

Although Brad has a satisfying career, a sweet wife and a comfortable life in suburban Sacramento, things aren’t quite what he imagined during his college glory days. When he accompanies his musical prodigy son on a university tour, he can’t help comparing his life with those of his four best college friends who seemingly have more wealthy and glamorous lives. But when circumstances force him to reconnect with his former friends, Brad begins to question whether he has really failed or if their lives are actually more flawed than they appear.

After 20 years of touring, a roadie for a defunct 80s hair band returns home to live with his mother.

If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.

Film version of Jacqueline Susann’s best-selling novel chronicling the rise and fall of three young ladies in show business.

The landmark documentary about the tragically ill-fated Rolling Stones free concert at Altamont Speedway on December 6, 1969. Only four months earlier, Woodstock defined the Love Generation; now it lay in ruins on a desolate racetrack six miles outside of San Francisco.

The Cat in the Hat takes Nick and Sally on the craziest Halloween adventure, where they go to the Oooky-ma-kooky Closet to help find Nick and Sally the best Halloween costumes ever.

An independent documentary film about the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. Inventors, musicians, and enthusiasts are interviewed about their relationship with the modular synthesizer — for many, it’s an all-consuming passion.

A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.

Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi’s husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.

Thirty years after recording “Rapper’s Delight,” Master Gee & Wonder Mike come back to reclaim their identities and rightful place in Hip Hop history.