After Ben Garvey foolishly turned back to crime, he thought his life was over when he was sentenced to death by lethal injection. But his death sentence isn’t quite what it seems, as Ben regains consciousness near an eerie psychiatric ward, where he’s told he’s been hired as the groundskeeper. With the state of his soul in question, and the love for his wife and daughter all the more real and powerful, Ben must figure out if he’s truly cheated death, or if he’s become part of something far more sinister.

Paul Kersey is again a vigilante trying to find five punks who murdered his housekeeper and daughter in Los Angeles.

David Blair directs this powerful British Drama, loosely inspired by John Steinbeck’s novel ‘Of Mice and Men’. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can pay his debts.

After finishing the open examination for Form 5 students and applying for an adult identity card, Yoyo, eighteen, departs for London to meet a guy introduced by her well-meaning parents in Britain. The guy, named Cheung, is in his thirties. Yoyo’s and Cheung’s grandfathers were wartime buddies. They swore to have their unborn babies get married when they grew up. However, the babies turned out to be both women. The two women are now mothers. They come across each other again and want to make their fathers’ wish come true, so they arrange for Yoyo and Cheung to meet in London. Yoyo and Cheung promise to get marry in order to please their mothers. But on the wedding day, they also sign a divorce agreement which is effective one year after their marriage.

Having died unexpectedly, firefighter Ja-hong is taken to the afterlife by 3 afterlife guardians. Only when he passes 7 trials over 49 days and proves he was innocent in human life, he’s able to reincarnate, and his 3 afterlife guardians are by his side to defend him in trial.

Down on his luck in the love department, a man lies about his identity to get closer to the woman of his dreams. Unfortunately, the little white lie that brings them together may ultimately tear them apart.

A home-care nurse takes a job, but as it proves to be his toughest yet; he is inadvertently pulled into something much more sinister.

The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.

Ivan Cohen is a young boy living in Palo Alto, California. Unsatisfied by his slacker group of friends, his love for a girl who doesn’t know he exist and a dysfunctional family life, he is struggling to find his place in the world. Based on the book Palo Alto by James Franco.

There’s drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They don’t mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.

Marco Vasquez and his family have seen tragedy and despair throughout their lives at the hands of an evil entity. Now that Marco is about to start a family of his own, he is forced to return to his childhood home where it all began to put a stop to it once and for all.

For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.