In June 2013, Laura Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes. Poitras is a great and brave filmmaker, but she is also a masterful storyteller: she compresses the many days of questioning, waiting, confirming, watching the world’s reaction and agonizing over the next move, into both a great character study of Snowden and a narrative that will leave you on the edge of your seat as it inexorably moves toward its conclusion.

The Day the ’60s Died chronicles May 1970, the month in which four students were shot dead at Kent State. The mayhem that followed has been called the most divisive moment in American history since the Civil War. From college campuses, to the jungles of Cambodia, to the Nixon White House, the film takes us back into that turbulent spring 45 years ago.

On his 89th birthday, renowned English broadcaster and naturalist Sir David Attenborough pays his first ever visit to the White House to be interviewed by one of his biggest fans, United States President Barack Obama.

Into the White is an anti-war movie. High above the harsh Norwegian wilderness, English and German pilots shoot each other to the ground after a violent chance encounter. Isolated, they must fight to survive the brutal winter. Though war has made them enemies, antagonism is hard to maintain as days go by. Through mutual need, unlikely friendships bloom. Somehow, they become comrades. War, after all, is absurd.

As boxing’s popularity wanes, three fighters at different stages of their career make sacrifices to pursue their dreams of becoming champions.

Long before O’Reilly and Beck, Morton Downey, Jr., was tearing up the talk-show format with his divisive populism. Between the fistfights, rabid audience, and Mort’s cigarette smoke always “in your face,” The Morton Downey Jr. Show was billed as “3-D television,” “rock and roll without the music.” Évocateur meditates on the hysteria that ended the ’80s and ultimately its most notorious agitator.

What it’s like to drive the once vandalized now famous, ‘Fagbug’ to all 50 states in the USA.

Two high school suicide clusters in six years rocks the affluent town of Palo Alto, California. Emotions run high and while no one has a silver bullet solution to this crisis, students rise up to make sure their voices are heard.

When National Geographic photographer James Balog asked, “How can one take a picture of climate change?” his attention was immediately drawn to ice. Soon he was asked to do a cover story on glaciers that became the most popular and well-read piece in the magazine during the last five years. But for Balog, that story marked the beginning of a much larger and longer-term project that would reach epic proportions.

Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South – trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.

From filmmaker Dawn Porter (who earlier this year directed “John Lewis: Good Trouble”), the film explores the remarkable journey of Jordan from modest Southern origins to national renown as a pioneering attorney, businessman, civil rights leader, and as a fixture (could one also say a “fixer?”) on the DC scene. Jordan’s story is told principally through a chronological narration of his life and accomplishment, most of it taken from recent (2019) interviews with and narration by Jordan himself. His early life in Atlanta is limned, where Jordan describes the treasured influence of his mother Mary and his early academic successes (including a law degree from Howard University). His activities in the civil rights movement in the 1960’s and 1970’s are highlighted, culminating in his ten-year tenure as director of the Urban League.

The shocking accounts of five men who were abused by Daryll Rowe – the first ever person in the UK to be convicted after deliberately infecting men with HIV.