Steve Brooks, a sexist womanizer, is killed by a group of his angry former lovers. In heaven, he makes a bargain with God for redemption and agrees to return to Earth. Once there, he must have a sincere relationship with a female and make her fall in love with him. If not, Steve’s soul will become the property of the devil. But the devil hedges his bet, and Steve is reincarnated as a woman named Amanda Brooks.

In the middle of nowhere, 20 years after an apocalyptic terrorist event that obliterated the face of the world!

6 strangers are kidnapped and through governmental technology have proof they have all killed before and are told 5 will die this night, one may walk, and the six have 2 hours to decide who gets to live.

A hybrid creature – half piranha and half anaconda — attacks a low-budget horror movie crew on location near her nest when her egg is stolen. Now they must outrun and kill the deadly piranhaconda as well as stop the mad scientist who stole the egg – before they all become dinner.

“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.

A peaceful summer day in the Moomin Valley is interrupted by a volcanic eruption. At the last minute the Moomin family finds refuge in a strange house. It turns out it’s not an ordinary house but a theatre stage where the Moomin Family begins to write a play.

In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.

Some of Sin City’s most hard-boiled citizens cross paths with a few of its more reviled inhabitants.

A group of six friends hear of a family of five murdered in a house close to where they will be camping for the night. Deciding to return to investigate would be the worst mistake of their fun filled night.

A policeman takes his twin brother’s place and inherits his problems and a beautiful girlfriend. He is forced to kickbox his way from France to the U.S. and back while playing footsie with the FBI and Russian mafia. Not just muscles with a badge, the policeman must find the answers to some tough questions, none harder than what the heck is an accordian player doing in a sauna.

Vampire Barnabas Collins is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate and family have fallen into ruin.

Dallas is a one-man killing machine on a mysterious rampage. His attacks on biker gangs and meth labs anger the Vegas mob boss who’s holding Dallas’ girlfriend hostage. But who is Dallas working for? Even torture won’t make him talk, and he won’t stop until justice is served.