What does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.

The story follows two childhood friends as they go back in time to try and prevent the suicide of their other best friend.

When a little girl is kidnapped by a trafficking ring, they soon find they messed with the wrong child. Her mother, a notorious former gang leader, is close on their trail and will go to any lengths to bring her child home.

Federal agent Alexandra Barnes believes that Catherine Petersen is a serial killer who marries rich men and then murders them for their money. But since Catherine is seemingly a master of disguise and has multiple identities, Alexandra can’t prove anything with conventional detective work. With no other option, she goes undercover, pursuing the same man as Catherine, and hoping that Catherine will slip up and reveal her true identity.

On a post-apocalyptic Earth, a robot, built to protect the life of his dying creator’s beloved dog, learns about life, love, friendship, and what it means to be human.

As a last wish, a recently hospitalized grandmother, Evie, tasks her daughter and granddaughter, Sara, with a list of festive accomplishments to do together before Christmas, hoping that the adventure of the experience will repair their relationship. Along the way, Sara discovers an unlisted Christmas adventure of her own.

A stranger in the increasingly strange city of San Francisco, Japanese crime novelist Aki is unsure of precisely what role she has to play in a real-life murder mystery involving ambiguous MacGuffins and amorphous identities. Unfolding in lonely places such as bookshops and hotel bars, Dave Boyle’s moody thriller uncovers exhilarating new takes on genre conventions. Consequently, it’s an alluring l’homme fatal who supplies Aki with the breadcrumb trail of clues that entices her into a labyrinthine plot of sinister dealings. In turn, the aging sheriff (veteran character actor Pepe Serna, fantastic in a rare leading role), who should rightfully be riding to her rescue, proves to be equally out of his depth. The game is afoot, the chase is exhilarating and the stakes are perilously high in this inspired neo-noir.

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It’s 1957, and Whale’s heyday as the director of “Frankenstein,” “Bride of Frankenstein” and “The Invisible Man” is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

A scientist becomes obsessed with bringing back his family members who died in a traffic accident.

A group of families on a tropical holiday discover that the secluded beach where they are staying is somehow causing them to age rapidly – reducing their entire lives into a single day.

“Marius” takes place in Marseilles’ Old Port, at the La Marine Bar, owned by César and his son Marius. Marius’ biggest dream is to embark on one of the boats passing by his dad’s bar and to set off to a faraway land. Fanny, a young and pretty seafood peddler, has secretly been in love with Marius since her childhood; Marius, never admitting it, has always loved Fanny. One day, a sailor drops by La Marine and offers him a job on an exploratory ship. Trying to hold him off and to make him jealous, Fanny confesses his love to him and provokes a fight between Marius and one of César’s old friends, Panisse, a boat merchant, who despite his old age, has been courting Fanny for a while. Torn between the call of the sea and his love for her, Marius abandons his dream to be with Fanny who gives herself to him. As César and Honorine, Fanny’s mother, are getting ready for the wedding, Marius changes his mind, drawn back to the call of the sea.