Independent TV producer Shin-Hye (UHM Jung-Hwa), self-assured housewife Mi-Yeon (MOON So-Ri), and single mom Hae-Young (JO Min-Soo) are a tight-knit group of 40-something friends going through the ups and downs of their lives and loves in modern day Seoul. This racy comedy is the latest from director KWON Chil-in, known for his frank portrayals of relationships and women’s sexuality.
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A Vietnam veteran, Charles Rane, returns home after years in a POW camp and is treated as a hero. When thugs invade his home to steal the silver coins he received for his service, they mangle his hand and leave him and his family for dead. Rane survives and becomes obsessed with getting revenge. Aided by his loyal friend Johnny Vohden, Rane, now wielding a hook for a hand, sets out on his mission of vengeance.
White-collar worker Yamashita finds out that his wife has a lover visiting her when he’s away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he “befriended” in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn’t let her become close to him.
Alice Tate, mother of two, with a marriage of 16 years, finds herself falling for the handsome sax player, Joe. Stricken with a backache, she consults Dr. Yang, an oriental herbalist who realizes that her problems are not related to her back, but in her mind and heart. Dr. Yang’s magical herbs give Alice wondrous powers, taking her out of well-established rut.
Satellite Shankar is based on the real-life story of a soldier who finds himself during his journey of finding the length and breadth of his country.
John Shaft is back as the lady-loved black detective cop on the search for the murderer of a client.
Dublin teenagers Matthew, nihilistic Rez, and the deranged Kearney, leave school to a social vacuum of drinking and drugs, falling into shocking acts of transgression.
Cintia is modern princess, she’s connected, decided and loves music. This “pop” princess used to live with their parents in a huge castle with a nice view to the city. Every night she looked through the window and watch the view dreaming with a prince she didn’t met yet. But one day her castle crumbles with everything around her, after her parents divorce she went to live with her aunt and stops believing in love. What she didn’t knew was that there was a charming prince in her history, that wanted to break the ice around our modern day cinderella.
NANCY, PLEASE tells the story of Paul Brawley, a gifted PhD candidate at Yale University. Paul has just moved into an apartment with his pragmatic girlfriend, Jen, and is struggling to complete his dissertation before embarking on a career in academia. There’s just one snag: as Paul is unpacking his belongings, he discovers that something has been left behind. A seemingly inconsequential object, but one Paul feels is of great importance to his dissertation and, therefore, to his future: a battered, personally annotated hardcover copy of ‘Little Dorrit’ by Charles Dickens. He will have to retrieve it from his former roommate – the obstinate Nancy. As he becomes increasingly consumed with the retrieval of ‘Little Dorrit’, Paul’s relationship and career unravel.
In the year 3978 global warming has made a desert of the North Pole. Santa and Mrs. Claus battle angry skeletons who didn’t get what they wanted for Christmas. Evil aliens try to take over the world and a giant abominable snow man wants Santa for his next meal.
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.
A desperate young woman, on the run from the law, takes a job at a remote desert motel. She quickly discovers the motel’s patrons are rendezvousing after a large robbery. With nothing to lose, and all to gain, she hatches a plan to steal their loot.
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