A young couple in London struggle to live with their estranged aunt and uncle, who overstay their welcome.
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Sylvester Stallone is fighting the odds again, this time in the wrestling ring. As Cosmo Carboni, he and his two brothers dream of getting out of Hell’s Kitchen (circa 1946) and into the big time. The exit signs point to Paradise Alley, a sleazy private club where the floorshow consists of raucous wrestling matches with big purses. Stallone not only starred in and wrote this action-packed film, he also made his directorial debut in this tale of three guys who could take anything Hell’s Kitchen could dish out.
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A troubled teen is sent to live with his estranged father, a park ranger. During his time there, he develops an unusual affinity with and passion for the wolves in a local pack.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones’ lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones’ inner lives — it’s an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
Dating Amber is a poignant, honest and funny look at the highs and lows of teenage life where the only way to fit in is to not be yourself, even if this goes against your very being. Set in Ireland during the mid-90’s, Eddie and Amber (both 17) are in the closet about their sexuality and decide to stage a relationship in order to stop everyone speculating. Eddie is keen to follow his Dad into the military, while Amber dreams of moving to the liberal hub of London. However, their ‘ideal’ arrangement begins to fall apart, forcing Eddie deeper into denial as Amber realises that a perilous future awaits her best friend unless she intervenes. Beards is a love letter to all those kids who grew up in a small town and who needed to escape in order to be themselves.
A privileged rich debutante and a cynical struggling entertainer share a turbulent, but strong childhood friendship over the years.
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A grieving father in a downward spiral stumbles across a box of his recently deceased son’s demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.
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