Melvin, a reluctant hero who is far from super, has been suppressing his telekinetic powers for years with booze, drugs, and women. In the process, he has failed at practically everything, most of all as a parent to his son. After a brush with death, Melvin decides to use his powers for good and clean up the streets of New Orleans with the help of his best friend/definitely-not-a-sidekick, Lucille. For a man who can do the impossible, it might be a fight even he can’t win.

Shui (Stephen Chow) and Ti (Sandra Ng) elope off, against the wishes of Ti’s father (Shing Fui-On). They live the life of a struggling young couple. Shui finds a job at a jewelry importer and his hard work is noticed by the boss lady (Suki Kwan). As Shui moves up the corporate ladder, the chasm between Shui and Ti starts to widen, and the bond between Suki and Shui tightens.

Like his father, Tom is a real estate agent who makes his money from dirty, and sometimes brutal, deals. But a chance encounter prompts him to take up the piano and become a concert pianist. He auditions with the help of a beautiful, young virtuoso pianist who cannot speak French – music is their only exchange. But pressures from the ugly world of his day job soon become more than he can handle…

A man takes over a TV station and holds a number of hostages as a political platform to awaken humanity, instead of money.

Four couples deal with love and lust, commitment and infidelity, and the pressures of relationship expectations. Filmed in Melbourne, Berlin, Malta, and New York, In Corpore tackles the consequences faced when one chooses to either suppress or give into the inner desires of body and soul.

A Marine Biologist is assigned to investigate the mysterious deaths of marine life in an inland salt water lake that have been attributed to a creature thought to have been the stuff of legend.

Xia Mu is a troubled child whose salvation comes in the form of Shu Yawang. When something terrible happens to her, he seeks revenge. Nothing is the same in their lives after that.

After the death of his father, a former football star reunites with the family that he abandoned years earlier.

In the tradition of Stephen King’s Stand by Me, Chiller’s original film Ghoul – based on the celebrated novel by author Brian Keene — tells the story of three damaged children who set out to find who, or what, is behind a rash of local disapperances. Staring Modern Family‘s Nolan Gould, the film explores the darkness that hides behind small town life. It is the summer of 1984 when a teenage couple goes missing among the gravestones of the local cemetery. Twelve-year-old Timmy and his best friends, Barry and Doug, have grown up hearing stories about a sinister Ghoul that haunts the cemetery. Eventually, they begin to wonder if the horrific legend might actually be real. Timmy and his friends are forced to put their friendship to the ultimate test when they dig up long-buried secrets, facing their personal demons and the one hiding underground.

Talk show host Wendy Williams executive produces the biopic on her life, revealing the highs and lows she has experienced throughout the years. Wendy has made herself the go-to source for great celebrity dish on her hit talk show, The Wendy Williams Show, but recently the spotlight has turned towards her. The authorized project provides a revealing look at Wendy’s journey, from her scrappy upstart days in urban radio to the success of her own syndicated talk show. Despite all the naysayers and obstacles Wendy encountered throughout her life, her strength and determination have allowed her to thrive.

In small town Kalgoorlie, teenager Ben Wakeley and his loved ones are pushed to their limits. Taunted by a mysterious criminal group, things get violent fast.

The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.