In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.

Twins separated at birth, Camryn and Alex meet by chance for the first time on their 21st birthday and discover they’re witches with the power to save their homeland of Coventry from the evil that threatens it. But when Camryn leaves Alex to face the darkness alone, will Coventry be doomed? Or will the sisters multiply their magic by standing together?

After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.

When troubled musical prodigy Charlotte seeks out Elizabeth, the new star pupil of her former school, the encounter sends both musicians down a sinister path with shocking consequences.

Veer, a young man from a rural village, learns on his wedding day that the people whom he thought were his parents arn’t. After an attempt is made on his life by unknown gunmen, whom he kills them all using martal arts skills he didn’t know he had, he learns that all of his dreams of a past life are real and that for the past three years he was raised by the couple after finding him in a river, half-dead with five bullet wounds in him. The search takes Vir to Bombay where he soon regains his memory and finds his real name to be a Muslim game marksman named Ali and is targed by criminal bigwigs and corrupt government officials whom he used to work for and betrayed him after hiring him to assasinate various underworld criminals and then framed him for the murder of an innocent chief minister.

North London band Wolf Alice have had a rise to prominence that might have been bends-inducing were it not for their tightness as a group. In summer of 2015, the deliciously dark, hook-and-riff-filled sound of their debut album, My Love Is Cool, inspired the NME to crown it: “the debut of the decade”. As a measure of their impact, BAFTA-winning filmmaker Michael Winterbottom joined the band on the road, capturing 16 different gigs and daily life backstage.

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A young substitute teacher escapes from her drudging everyday life by fantasizing about bizarre parallel realities.

Mountain Men is a comedy/drama that follows two estranged brothers, Toph and Cooper, as they journey to a remote family cabin in the mountains to evict a squatter. Buried resentment and bruised egos soon derail the plan and when the smoke clears they’ve destroyed their car and burned down the cabin, leaving them stranded in the cold Rocky Mountain winter. With their very survival at stake, they must learn to work together as brothers to get back to civilization.

After the death of her father, Natalie Travers (Melissa Gilbert) discovers he was married to a rodeo star before he married Natalie’s mother. Upset that her father kept part of his life a secret from her and bewildered over how a prominent judge could fall for a cowgirl, she sets out to find Maggie Mae Jarrett. But Natalie meets her daughter Jessie Mae Jarrett (Lindsay Wagner) who is struggling to keep the wild horses on her land alive and safe.

An elite group of firefighters jumps from helicopters to extinguish fires. One firefighter must choose between his love for his family and his addiction to life-risking danger. Inspired by a true story.

When Emily’s boyfriend abandons her in the night, her only way home is through an alleyway where she is terrorized by the mysterious entity Alfred J. Hemlock. After reaching the depths of her despair she finds the strength that she never suspected she had