Lisbeth Salander and Mikael Blomkvist find themselves caught in a web of spies, cyber-criminals and corrupt government officials – both in Sweden and in the United States – whom are only known as The Spider Society.

They were the hottest thing in the eighties, the pin-up boys on every teenage girl’s wall. And with hits like “Tough Titties” and “BoyTown”, they cemented their reputation as the biggest boy band on the planet. Now two decades later, BoyTown are back – they may be the Old Kids on the Block and a bit Out of Synch, but these Boys to Men are ready to suck in the gut, put on the pastels and get those middle aged women crying for more!

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Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler’s former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson’s only clue is Kindler’s fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in.

Zoe, Charlie, and Isaac spend a night flirting with the idea of a threesome… until it finally happens and all hell breaks loose. While two fall deeply in love, two test their sexual limits. They each discover fantasies they never thought they had and try things they never thought they would.

The Inkwell is about a 16-year-old boy coming of age on Martha’s Vineyard in the summer of 1976.

Suzanne Waters (Karen Abercrombie) has just passed the baton as the principal of the local high school. Having spent a lifetime teaching life lessons, the journey into retirement is about to bring her one of her greatest lessons. Her lesson plan will come from a troubled young man, Eli, as she invests in his life. Suzanne also becomes a first-time grandmother, and the new life of the baby brings renewed hope to the family as each member discovers their core value in God’s path for their lives. As Suzanne reflects back on her life of faithfulness, we are reminded that there are no accidents in God’s Kingdom, no chance meetings, no purposeless steps taken.

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During a late night taping of “Dr. Nasty’s Cavalcade of Horror”, bloody chaos takes place during the screening of two features (“Dinner for Monsters” and “Slit”). Samantha/Nurse Nasty is frustrated by how the show is being run by its womanizing director and its drunk and crazy host Dr. Nasty.

This gripping new documentary film tells the untold story of millions of women in India who are culturally persecuted for no other reason than the fact that they are women. However, despite the centuries of oppression, there are those who are reaching out and trying to change the culture towards women, from the inside out.