A family moves into a Model Home and finds more trouble than they bargained for when the mother begins modeling the rest of their lives.

Katie Mayfield is now the mistress of Mayfield Manor. In her new world she finds herself torn between two worlds and grieves for her plain Amish life. Does Katie choose her new life or the simple heritage she left behind?

While attending college in Cape Town, Melea Martin feels constrained by the school’s strict policies, and decides to set out on her own. Searching for a way to use her talents as a dancer and inspire the community around her, Melea rents a failing theater in order to put on a Hip-Hop Romeo and Juliet performance. But much like the Capulets and Montagues, conflicts between cast members threaten to bring the whole performance to a halt…

Marisa Paredes is Leocadia (“Leo”) Macias, a woman writing “pink” romance novels under the alias of Amanda Gris that are very popular all across Spain. Unlike her romantic novels, her own love life is troubled. Leo has a less than happy relationship with her husband Paco, a military officer stationed in Brussels then later in Bosnia, who is distant both physically and emotionally.

A young girl is sold into the red-light district Yoshiwara and is put under the care of the oiran (lead prostitute) of the Tamakiku house. The girl is rebellious, but the more experienced people in the household begin to think that she will be one day a great oiran, since an oiran needs not only beauty and talent, but she should also have the tenacity to maintain the position.

Bosco is the son of a minister arrested for corruption, misappropriation of public funds, money laundering and a lot more of economic crimes. Selfie is about the story of him since he’s kicked out of his luxurious chalet until he tries to get a job at the headquarters of a left-wing political party.

Sean Thornton has returned from America to reclaim his homestead and escape his past. Sean’s eye is caught by Mary Kate Danaher, the beautiful spinster and younger sister of ill-tempered “Red” Will Danaher. The riotous relationship that forms between Sean and Mary Kate, punctuated by Will’s pugnacious attempts to keep them apart, form the plot, with Sean’s past as the dark undercurrent.

A female police detective returns to work after suffering PTSD from a previous case, only to have her teenage daughter kidnapped by an emotionally disturbed parolee.

A malfunctioning time machine at a ski resort takes a man back to 1986 with his two friends and nephew, where they must relive a fateful night and not change anything to make sure the nephew is born.

The story of a husband who suspects his wife of adultery, and sets out to track down the other man in her life.

A pianist about to flee from a duel receives a letter from a woman he cannot remember. As she tells the story of her lifelong love for him, he is forced to reinterpret his own past.

This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.