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The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies – a disgraced drunk and a cantankerous old cripple – must find a way to hold out against the rancher’s hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger – and a mysterious beauty who just came in on the last stagecoach.

An Oakland widower’s thirst for justice is rekindled when a local killing is oddly similar to his wife’s unsolved murder from decades ago.

Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.

While on vacation in rural Wisconsin, five friends seek refuge in a lone building after their vehicle crashes in a vicious snowstorm. With no cell service, the group splits up to find help but when they reunite, one of them is found dead.

A train dispatcher encounters a mute stranger who appears out of nowhere, and finds himself mysteriously involved with a murder in Poland. The end of the eighties in the twentieth century. Alois Nebel works as a dis­patcher at the small railway station in Bílý Potok, a remote village on the Czech–Polish border. He’s a loner, who prefers old timetables to people, and he finds the loneliness of the station tranquil – except when the fog rolls in. Then he hallucinates, sees trains from the last hundred years pass through the station. They bring ghosts and shadows from the dark past of Central Eu­rope. Alois can’t get rid of these nightmares and eventually ends up in sanatorium. In the sanatorium, he gets to know The Mute, a man carrying an old photograph who was arrested by the police after crossing the border. No one knows why he came to Bílý Potok or who he’s looking for, but it is his past that propels Alois on his journey…

A fearless, faithful albeit slightly forgetful Mumbai cop, Veer Sooryavanshi, the chief of the Anti-Terrorism Squad in India pulls out all the stops and stunts to thwart a major conspiracy to attack his city.

An NYPD hostage negotiator teams up with a federal agent to rescue dozens of tourists held hostage during a 10-hour seige at the U.S. Federal Reserve.

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In a cabin of the deep of the forest, a child and his father leas a wild and hard life in utmost isolation. The child grows up fearing and admiring his father, with the ghosts haunting the forest as his only companions. Until the day he discovers the neighbouring village and meets a young girl there, Manon. At her side, he discovers that love exists. From then on he won’t cease to search for the place where his father’s love for him is hiding.

Men steal for it. Nations go to war for it. The it is oil – and it grows on trees. Coconut oil is the precious lifeblood of 1870s South Seas traders. And lots of real blood will be spilled to get it! Screen royalty Burt Lancaster ist His Majesty O’Keefe in this last of three adventures that (along with The Flame and the Arrow and The Crimson Pirate) blew a revitalizing wind into the sails of the swashbucker genre. Action, cunning and derring-do are watchwords of the title seafarer as he befriends, defends and ultimately rules the islanders of exotic Yap. Lensed on gorgeus Fiji locations, grandly scored by Robert Farnon and rousingly directed by Byron Haskin, His Majesty O’Keefe delivers heroics of regal proportions.

Led by Woody, Andy’s toys live happily in his room until Andy’s birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy’s heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.