Tony Towers is a successful nightclub manager in 1985, a local celebrity and engaged to a much younger woman, Sue. But when he embarks upon the 3:17 to Nottingham for a Christmas family reunion, things get a little strange. Tony discovers that by moving up and down this fateful train, he can transport himself forward and backward to various stages of his life. Not only that, but the actions he takes in one carriage directly affect his life in the next. The question is, can Tony change his life – and the lives of the people he loves – for the better, or will he just make things worse?

Sacha is a real seducer, a man with no ties or emotional or professional. Charlotte is a modern and independent woman, but barely has time to care for their three children. While Sacha and Charlotte are, at first glance, two incompatible beings, when they meet soon discover that they are quite complementary and need each other.

Kicking Off starts with the most important game of the season. Loyal fans Wigsy and Cliff watch in trepidation as their football team score the goal that will save them from relegation. Victory is bliss as a chorus of supporters chant and cry with elation. However, this frenzy of happiness quickly turns ugly as the referee disallows the deciding goal. With their hearts and fists pumping, adrenalin running and fury racing through their bloodstream, the fans take matters into their own hands and Cliff makes the fatal mistake of planning while intoxicated. Wigsy, a confirmed idiot, follows through with the said plan and in the darkest hours of the night he commits a crime that will cause chaos and catastrophe for him and his best mate Cliff. Kicking Off is cleverly filmed with split screen shots and slow motion montages. The characters are lovable thugs who will leave you laughing and grimacing at their lack of common sense. The beautiful game just got ugly.

A misanthropic man sets out to exact revenge on his estranged father, by finding a loophole and attempting to win the National Spelling Bee as an adult. Figuring it would destroy his father, and everything he’s worked so hard for as head of the Spelling Bee Championship Organization, Guy Trilby (Jason Bateman) eventually discovers winning isn’t necessary for revenge, and that friendship is a blessing not a curse.

Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.

A woman is told by a gypsy that she’ll fall in love with a man named John. So her friends turn her life upside down to help her date every John they collectively know to find the “one”.

As the son of a Viking leader on the cusp of manhood, shy Hiccup Horrendous Haddock III faces a rite of passage: he must kill a dragon to prove his warrior mettle. But after downing a feared dragon, he realizes that he no longer wants to destroy it, and instead befriends the beast – which he names Toothless – much to the chagrin of his warrior father

Country singers on their way to Nashville have car trouble, forcing them to stop at an old haunted mansion. Soon they realize that the house is not only haunted, but is also the headquarters of a ring of international spies after a top secret formula for rocket fuel.

Deadpan twin comics Keith and Kenny Lucas take the stage in Brooklyn with a set that touches on drugs, race, Deion Sanders, teachers and O.J. Simpson.

Four promiscuous businessmen must scheme to save the poor people of a village after a corrupt politician challenges them.

TV child star of the ’70s, Dickie Roberts is now 35 and parking cars. Craving to regain the spotlight, he auditions for a role of a normal guy, but the director quickly sees he is anything but normal. Desperate to win the part, Dickie hires a family to help him replay his childhood and assume the identity of an average, everyday kid.

A pair of adventurers try to track down an ancient Aztec/Mayan/Egyptian/Apache horde of gold.