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When Ayush arrives in England to learn music, he is shocked and scared when the manor he is living in becomes haunted by spirits. To exorcise them, he seeks the help of Rose, a woman who can see and speak with them.

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Pedantic policeman Frantisek (Ondrej Vetchý) wants to bring up his three daughters with a firm hand. He would like to see the girls coupled with capable and successful men, but instead they have the talent to find the opposite. Moreover, one of them is constantly trying to get pregnant, second one is only dating exotic fools and the third one is expecting a baby without knowing who is the father. Frantisek and his wife (Simona Stasová) always spend their vacation at the local lake, although the wife is dreaming of the seaside. One day she meets a bohemian writer with slightly suicidal tendencies (Miroslav Táborský) and an attractive colleague with Spanish roots (Kristína Peláková) walks into Frantisek’s office and things get moving…

Four fighters different backgrounds come together to train under an ex MMA rising star and then ultimately have to fight each other and the traitor in heir midst.

Jo’s world is thrown into utter disarray when her wife Amanda passes away and she starts chasing a dream that she and Amanda had once shared – starting a family together. Jo asks her late wife’s brother, Jamie, to be her sperm donor and craziness ensues.

When a pair of bumbling crooks hijack the Harrington and Sons toy store, a pair of kids stumble into the heist and are forced to team up with a female security officer to save Christmas.

Dr. Richard Sturgess leads a team of compassionate doctors at a veteran’s hospital. Along with Drs. Morgan, Handleman and Van Dorn, he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous “Article 99,” a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

It is just another evening commute until the rain starts to fall, and the city comes alive to the sound of dripping rain pipes, whistling awnings and gurgling gutters.

Pete, Tom, Claire and Jay are university graduates having trouble making the move into adult life. Beneath the hanging out and the daily routines simmers Pete’s desire to find a spiritual answer to life’s meaning, Jay’s desperate need not to get hurt again, and Tom and Claire’s ever increasing mutual attraction.

Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)