Nicole, a successful travel blogger, meets Kade, a marketing rep for a travel publishing company, and they form the beginnings of a relationship while exploring an island destination. They juggle their work traveling around the world while seeing each other again. Both know there’s something special between them, but it will be put to the test when Kade’s competitive boss challenges Kade to thwart Nicole’s business.

District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea’s crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge.

Adam, an amateur comedy video blogger, struggles to measure up to his best friend Brian, an egotistical musician. When they move in together for a summer, Brian’s obsessive and manipulative behavior surrounding the release of his new album awakens the sociopath in both young men.

Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955.

A mentally challenged girl proves herself to be every bit as capable as her “perfect” sister when she moves into an apartment and begins going to college.

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

A boxing champion becomes a preacher.

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Yul Brynner plays political leader Sharif who is sprung from a police van on his way to a firing squad by young loyalists led by Sal Mineo. Yul and the other prisoners kidnap an ambulance and head into the Arabian desert with the police in hot pursuit. All the performances are magnificent: Sal Mineo showing his acting talents, Jack Warden in a wiseguy performance as an employee of Zahrain oil who was involved in embezzlement, Anthony Caruso as a slimy psychotic and the underrated Madlyn Rhue as a nurse who becomes emotionally involved in the proceedings.

Kronk, now chef and Head Delivery Boy of Mudka’s Meat Hut, is fretting over the upcoming visit of his father. Kronk’s father always disapproved of young Kronk’s culinary interests and wished that Kronk instead would settle down with a wife and a large house on a hill.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Suresh wants to be a big dancer to fulfill his mother’s wish. Vinnie wants to be the best hip-hop dancer. They are childhood friends. They form a team and participate in a national level competition “Hum Kisi Se Kum Nahin” where they are disqualified as their moves are copied and everyone calls them cheaters. Everyone departs to search for jobs. Suresh plans to remove the negative tag by winning the hip-hop competition in Las Vegas. One day he watches Vishnu dance in the bar and convinces him to be their choreographer. They audition for people and collect the team.