Charlie Cullen was an experienced registered nurse, trusted and beloved by his colleagues at Somerset Medical Center in New Jersey. He was also one of history’s most prolific serial killers, with a body count potentially numbering in the hundreds across multiple medical facilities in the Northeast.
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It’s fire and brimstone time as grieving mother Karen McCann takes justice into her own hands when a kangaroo court in Los Angeles fails to convict Robert Doob, the monster who raped and murdered her 17-year-old daughter.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
When the puppet cast of an ’80s children’s TV show begins to get murdered one by one, a disgraced LAPD detective-turned-private eye puppet takes on the case.
Fletch is a fish out of water in small-town Louisiana, where he’s checking out a tumbledown mansion he’s inherited. When a woman he flirts with turns up dead, Fletch becomes a suspect and must find the killer and clear his name. In the meantime, he’s got some serious home-ownership issues, such as termites and weird neighbors.
Four Newton brothers are a poor farmer family in the 1920s. The oldest of them, Willis, one day realizes that there’s no future in the fields and offers his brothers to become a bank robbers. Soon the family agrees. They become very famous robbers, and five years later execute the greatest train robbery in American history.
Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can’t be expressed in words – but only in cinema.
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Zaid is a successful heart surgeon with an expensive apartment and pregnant girlfriend. One night he gets a visit from his brother Yasin, who is desperate for money, but he refuses. Soon after, Yasin is found beaten to death and Zaid is overcome with guilt. As guilt gives way to anger, Zaid becomes a masked avenger and takes on Copenhagen’s criminal underworld in his quest for justice.
In a film based on actual events, teenagers Nathan Leopold Jr. (Craig Chester) and Richard Loeb (Daniel Schlachet) share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy. When the body is found, all evidence leads to Nathan and Richard, whose strange relationship makes the case one of the most talked-about trials of the 1920s.
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