Five unknown, unread, and well-past-their-prime science fiction authors grapple with obscurity, infinity, and obsolescence (…and whether robots should legitimately be allowed to enter dance competitions). Filmed in the DOGME 95 spirit, SCIENCE FICTION is an existential comedy from writer/director Pablo D’Stair

Charlie is a writer dealing with writers block; his agent, Bernie, hires a woman, Dawn, to assist and inspire him.

After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and the unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during protest against the closure. José is bitter that his wife, Ana, is employed when he is not. The gap between them is widening and he is fearful that she will leave him for a co-worker. Despite arthritic legs, Ana endures night shifts at a fish factory and thinks her looks are now lost. Not everyone seems to agree including her boss. Lino, an aging family man doggedly pursuing positions beyond his qualifications. The oldest member of the group, Amador, has degenerated into alcoholism after being abandoned by his wife; maintaining an increasingly transparent pretense that his wife will soon return from holiday.

A father, a mother, an elder son, a daughter and a younger son. A family of five. For all appearances, a perfectly normal, happy family. But none them related

Elizabeth is a charming anchorwoman who seeks advice from her dog’s therapist. Tara is a spunky barista who dreams of a life beyond the coffee shop. Daisy is a dog walker who’s enamored with a client. Garrett pines for a woman while trying to keep his adopt-a-dog business afloat. The beloved canines in their lives soon start to influence their careers, friendships and romantic relationships in funny and unexpected ways.

Dolphin experts confront the US Navy when its sonar program is suspected of causing the animals’ deaths.

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as “hockey hair”. Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man

In the not-so-distant future, all drinking and drugs have been made completely illegal by the government, except for one night a year. High school seniors Griffin, Hags, and Andrew make a pilgrimage to get to the best party in town where all their dreams will come true. They will have to avoid their crazed principal, violent siblings, and the wild animals roaming the streets.

It takes two or three generations for the monarch butterfly to reach the Canadian breeding grounds, but it is one “supergeneration” that makes the 2,000 mile return trip back south into central Mexico. The documentary film covers Dr Fred Urquhart’s interest in monarch butterflies, with perspectives of Urquhart as a child wondering where the butterflies went, his years of research and study into their life and migration, to his time decades-later as a senior scientist looking back at his investigations and discoveries about the insect’s life pattern.

Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered couping gospel and country together.

Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family’s struggles with money and her desperate need for jobs; and Eugenia “Skeeter” Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around “the help”; yet they are always kept at a certain distance because of racial lines.

Orthodox Indian, Raichand, would like his two sons to live together with him and his wife, and get married to girls’ of his choice. One of his sons, Rahul, is adopted, while Rohan is his real son. Rahul falls in love with a poor Indian girl named Anjali, and incurs the displeasure of Raichand, they argue and fight, as a result Rahul leaves the house, moves to Britain, and settles down. Raichand now focuses his attention on his real son, Rohan, who has no plans to get married, but is determined to bring Rahul and Anjali back home so that they can be together again. Will Raichand permit Rohan to have his way, or will he also ask him to leave the house?