The uplifting and heart-wrenching struggles of families who treat their cancer-stricken children with marijuana, some with astonishing results.

Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.

The extraordinary life of beloved acting teacher and theatre producer Wynn Handman is recalled in this portrait of a provocative, innovative artist.

Monique Marvez stars in her first one hour Stand-up Comedy Special based on the writings from her critically acclaimed book “Not Skinny Not Blonde.” The former San Diego radio host is on a humorous mission to enlighten both men and women about what’s truly important between the sexes. Having been married 3 times herself she considers it sound advice from an expert. Monique has learned from her past and now dates a much younger man, conceding “life is just too dam short.” but don’t call her a cougar, she says, “call me what I am, sore!”

In candid conversations with actor Jonah Hill, leading psychiatrist Phil Stutz explores his early life experiences and unique, visual model of therapy.

Over a quarter of a century since it began and a decade after it folded, this is the definitive film about Creation Records, one of the world’s most successful and colorful independent labels. This is the story of the rock n roll dream and its accompanying nightmares. Millions of sales on both sides of the Atlantic, near bankruptcy, pills, thrills, spats, prats, success, excess, pick me ups, breakdowns and of course some of THE defining music of the late 20th Century. This is the definitive and fully authorised story of the UK’s most inspired and dissolute label, from the Jesus & Mary Chain at the Living Room to Oasis at Knebworth.

Planetary presents a stunning visual portrait of our Earth, taking us on a journey across continents: from the African savannah to the Himalayas, and from the heart of Tokyo to the view of our fragile planet from orbit. Through intimate interviews with a diversity of people, from NASA astronauts and environmentalists to philosophers and Tibetan lamas, the film explores our shared future. It suggests that the key to transforming our civilisation lies in an understanding that all life is inseparably interconnected, and that we cannot change the world unless we change the way we see ourselves, our planet, and the wider cosmos we are embedded within.

One woman and her family trek the broken mental health system in an effort to save her brother as he descends into madness. Beginning as a testimony of his sanity, his iPhone video diary ultimately becomes an unfiltered look at the mind of an untreated schizophrenic.

Thousands of years ago a special, genetically advanced race of beings came to Earth. They were seen as Gods by primitive man and worshipped. They set themselves apart. Some mated with humans and created a special race. When the beings departed, a hybrid species remained and taught mankind. The human race, which had existed for tens of thousands of years as hunters and gatherers, now had systematic knowledge on a startling level. They control our hearts and minds; they control this world; they control every individual from the depths of outer space. From the moment you are born, you are numbered and moved through a process to feed their machine. Nobody is truly free. We are all working for the masters. On rare occasions, they are revealed to the world and in the 18th century we had a glimpse of their massive power. We know them as the Illuminati. From huge international corporations, to hidden governments, from secret societies to medicine, the Illuminati are in control.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Released in 1995, Paul Verhoeven’s SHOWGIRLS was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred’s ideal of good neighbors?