The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond despite having never acted a day in his life.
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During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.
When new students can’t get onto their college cheerleading team, they form their own squad and prepare for a cheer off.
A darkly funny, claustrophobic Midnight Movie to laugh, wince and gasp at. An ex-lawyer and his crack team run an underworld service; they seek the most desperate and greedy to become fake criminals to take the fall for the rich and powerful elite’s felonies. The process is known as the Criminal Audition. In an undisclosed location, over one night they will put three individuals through hell to find the perfect candidate for their latest assignment. But their world is turned upside down when they face lies, deceit, murder and a very dangerous new client auditioning for their biggest job yet.
Aliens in our ancient past is practically common knowledge. They came millennia ago, fought a great war between themselves and left behind a history of their occupation, vestiges of a long lost culture from another planet and a sudden departure – but why? After eons these beings have now returned and are engaged in a battle with humanity itself and some researchers believe they have returned to manipulate and use mankind to a sinister end.
In each U.S. state, stories of monsters living amongst us have been used to scare children and warn sinners away from misbehavior. But which of these bogeymen brings the biggest fright? In the two-hour Tubi special SCARIEST MONSTERS IN AMERICA, we’re counting down the top ten creatures in the country. From a horrifying home invader to a cunning cannibal, we’ll uncover evidence of each larger-than-life beast to determine, once and for all, which monster is the most deserving of state bragging rights.
East is East writer Ayub Khan-Din returns with another funny, tender-hearted portrait of family strife. Based on his popular play Rafta, Rafta (itself inspired by Bill Naughtons 1960s classic All in Good Time), the film is set in Bolton where Atul and Vina are celebrating their marriage. However, a honeymoon spent with his parents was not part of their plans. Thoughtless patriarch Eeshwar seems determined to emasculate and embarrass his son. As the weeks pass, consummating their union becomes an impossibility that threatens the couples entire future. A breezy mixture of heartbreak and hilarity, All in Good Time also offers peerless performances from original stage stars Harish Patel and Meera Syal.
Pressure from his boss and a skin-cream client produces a talking boil on a British adman’s neck.
A vibrant, hopelessly romantic physiotherapist meets a handsome young Rajput prince who is the complete opposite of her – and is engaged to someone else.
An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.
The story of four women in Jim Jones’ inner circle who helped plan the 1978 Jonestown Massacre, one of the largest murder-suicide events in modern history which left 918 men, women and children dead.
In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up.
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