Director Mario Van Peebles chronicles the complicated production of his father Melvin’s classic 1971 film, “Sweet Sweetback’s Baadasssss Song.” Playing his father in the film, Van Peebles offers an unapologetic account of Melvin’s brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.
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A robotic boy, the first programmed to love, David is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David. Without final acceptance by humans or machines, David embarks on a journey to discover where he truly belongs, uncovering a world in which the line between robot and machine is both vast and profoundly thin.
Ryan, a well-intentioned, young police officer with a troubled past, is just out of training when a Senior Officer singles him out as a perfect candidate for an undercover sting. Ryan is transformed into Max, a young criminal with a force-ten temper who infiltrates a notorious gang of bank robbers, headed by the enigmatic and elusive master-thief known only as “The Monopoly Man”. Struggling with his identity, Ryan is drawn closer to the gang and finds himself crossing the line to the point of no return as he takes part in their biggest heist yet. When the gang are caught and locked together in a cell, with rumours of a “snitch” in their midst, Ryan must maintain his criminal persona just to stay alive.
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Four young women continue the journey toward adulthood that began with “The Sisterhood of the Traveling Pants.” Now three years later, these lifelong friends embark on separate paths for their first year of college and the summer beyond, but remain in touch by sharing their experiences with each other.
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