Friends on a weekend excursion take a path into a forest that leads to death and destruction.

Sarah returns with her father and uncle to fix up the family’s longtime summerhouse after it was violated by squatters in the off-season. As they work in the dark, Sarah begins to hear sounds from within the walls of the boarded-up building. Although she barely remembers the place, Sarah senses the past may still haunt the home.

Oasis is a love story of two young people abandoned by families. A young man released from prison visits the widow of the man he killed drunk-driving. There he meets her daughter, wheelchair bound with cerebral palsy. Will these two lost people find a way to make their relationship work?

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

In 1985 a summer vacation in Ocean City, Md., changes the life of a shy white teen who’s obsessed with table tennis and hip-hop music.

Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.

A depressed man moves back in with his parents following a recent heartbreak and finds himself with two women.

Eight months after the death of his wife, Frank Goode looks forward to a reunion with his four adult children. When all of them cancel their visits at the last minute, Frank, against the advice of his doctor, sets out on a road trip to reconnect with his offspring. As he visits each one in turn, Frank finds that his children’s lives are not quite as picture-perfect as they’ve made them out to be.

During a routine prison work detail, convict Piper is chained to Dodge, a cyberhacker, when gunfire breaks out. Apparently, the attack is related to stolen money that the Mafia is after, and some computer files that somebody wants desperately to bury. The pair, who don’t exactly enjoy each other’s company, escape and must work together if they are to reach Atlanta alive. Luckily, they meet a woman who may be willing to help them.

In Stephen Tobolowsky’s Birthday Party film-makers Robert Brinkmann and Andrew Putschoegl follow Stephen on his birthday and document a performance he gives for the cameras and a group of friends, during which he tells stories about his experiences in Hollywood. Instead of his regular role as a supporting actor, Stephen takes the stage in Birthday Party and shows that he has the charisma to hold the audience’s attention without the help of a script.

On a hiking trip to rekindle their marriage, a couple find themselves fleeing for their lives in the unforgiving wilderness from an unknown shooter.

Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he’s been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.