If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn

Attempting to surpass his father’s legacy, an Indian American neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.

Claire tells the police officer, “It was all Jo’s idea.” But who’s Jo? Jo is the bright spark in Claire’s recently darkened reality; a new friend in an otherwise isolated world. The two young women hit the town to let off some steam-and find themselves in trouble with local law enforcement. In the blink of an eye, Claire discovers that Jo is not what she seems-not at all-and her easy friendship with the lighthearted, young woman splits open to reveal the truth. Luminously shot in black and white, Josephine Doe is a raw exploration of family trauma and mental health that shows the thin line between our realities.

He is one of the top celebrities in the country: a fast-talking TV host, who can joke his way out of any situation. Women want to be with him, men want to be like him. He is looking for a new topic to discuss in his popular talk-show. She is a teacher at a musical school – a timid girl looking for Mr. Perfect on an internet dating site. He will help her realise her potential and teach her how to recognise various types of men for what they are, she will teach him what real life is about. The show will become a huge hit. It seems they are destined to fall in love and be together, but one day she actually does meet Mr. Perfect on the net.

Jennifer Shannon has made a career of finding rare garage sale treasures to resell at the consignment store she owns with her business partner, Dani. When she finds a wedding dress that was worn on the day a groom went missing, Jennifer uses her knack for solving puzzles to investigate this unsolved cold case. After meeting the dress’s original owner, Helen, and finding traces of blood on the dress, Jennifer digs deeper into the decades-old mystery with the help of Detective Lynwood, and the support of her husband, Jason. With every clue that Jennifer uncovers, she gets closer to either finding the long-missing groom, or uncovering a wedding day murder.

The vengeful Doctor rises again, seeking the Scrolls of Life in an attempt to resurrect his deceased wife.

A man’s (Hugh Laurie) affair with his friend’s much-younger daughter (Leighton Meester) throws two neighboring families into turmoil.

Friday night in Toronto’s lower west end. Chatter from a dinner party in Harry and Carol’s nouveau riche condo drifts through an open balcony door, as two freebase cokeheads, Pretty and Johnny, have a party on their own in the alley below. As the dinner guests leave, the hostess is nowhere to be found. Until, a wet thud and a sharp scream rise up to the balcony. Pretty stares in horror at Carol’s body, splayed on the alley floor, as Harry screams for help from above. The sharp burst of police sirens sends the cokeheads running as Peter, a middle aged police officer, sprints from his cruiser to check Carol’s vitals. Rocket forward three months and these five disparate lives begin to cataclysmically intersect through weaving multi-narrative story arcs that release spurts and geysers of long-suppressed sexuality and aggression. Beautiful things can happen when you hit rock bottom.

In DISASTER MOVIE, the filmmaking team behind the hits “Scary Movie,” “Date Movie,” “Epic Movie” and “Meet The Spartans” this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time — the disaster film.

A successful “house tuner” in New York City, who calibrates the sound in people’s homes in order to adjust their moods, meets a client with a problem he can’t solve.

14-year-old Joe is the only child of Jeanette and Jerry—a housewife and a golf pro—in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job—and his sense of purpose—he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves.

When architect-turned-recluse Bernadette Fox goes missing prior to a family trip to Antarctica, her 15-year-old daughter Bee goes on a quest with Bernadette’s husband to find her.