Frederick Abberline is an opium-huffing inspector from Scotland Yard who falls for one of Jack the Ripper’s prostitute targets in this Hughes brothers adaption of a graphic novel that posits the Ripper’s true identity.

When a low level mobster is nearly rubbed out by the boss, he decides to take the bonus he was promised by force, so he kidnaps the boss and demands a hefty ransom.

A former British spy stumbles into in a plot to overthrow Communism with the help of a supercomputer. But who is working for whom?

Three strangers’ lives are inevitably entangled in a conflict none of them are prepared for.

An unmitigated and sexy conman targets his next mark, the widowed Monique, for his latest swindle. But his routine scam hits a snag when suspicion mounts and his scheme quickly escalate into desperation, betrayal and murder.

A group attending a sex party wake up naked in the snow. In the nearby cabin they find a dead girl and a message: In order to survive, they must decide who is responsible for the girl’s death and murder that person accordingly.

Two undercover police officer investigating a heroin ring find their covers blown.

In one of his rare performances without Bud Abbott, Lou Costello plays a delivery boy who invents a machine which turns his girlfriend into a giantess.

Stalking random people throughout the city, Jim records strangers to upload to his website as part of a voyeuristic social experiment. As he performs reconnaissance on his subjects, Jim meets Samantha, who snares him into her dark and mysterious web. It soon becomes clear that Jim and Samantha’s past, present and future are all tied together, connected both by murder and the power of the lens.

Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is: It takes all kinds of critters…to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left.

To overcome his creative block and pull off an impossible deadline, fledgling comic artist Neil must enter the world of his leading character: the mysterious Mistress Of The Forest.

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