A haunting and powerful psychological thriller. Set in icy upstate New York in the winter of 2002, “After” is about the Valentinos, a middle class clan facing financial hardship–their family stone cutting business is slowly failing–and coping with the usual rivalries and resentments that affect all but their absent daughter, Samantha, who has recently escaped Rochester for a new life in lower Manhattan. At their center is matriarch Nora (Quinlan), whose cheerful exterior masks an emotional fragility of which the entire family is painfully aware and fiercely protective. But, their delicate balance is threatened by a carefully concealed secret that, once revealed, will change their lives forever.
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Raymond Saxx Jr., a powerful record producer, wakes from a drug-induced blackout to find himself locked up and classified “K-11.” Plunged into a nightmarish world ruled by a transsexual diva named Mousey, Raymond is truly a fish out of water. Complicating matters are a troubled young transgender named Butterfly, a predatory child molester and the ruthless Sheriff’s Deputy, Lt. Johnson. Ray’s struggle to contact the outside world and regain his freedom seems impossible, but he must learn to navigate this new power structure if he is ever going survive and be in control of his life again.
Spend time on both sides of World War I, partly with German flying ace Baron Manfred Von Richthofen (John Phillip Law), aka “The Red Baron,” and his colorful “flying circus” of Fokker fighter planes, during the time from his arrival at the war front to his death in combat. On the other side is Roy Brown of the Royal Air Force, sometimes credited with shooting Richthofen down.
Itto, a young woman from a modest rural background, is slowly adapting to the Moroccan privileged codes of her husband’s family. But when supernatural events put the country in a state of emergency, Itto finds herself separated from her husband and new family. Alone, pregnant and looking for her way back, she finds emancipation.
Crazed members of a sadistic family return to their childhood home to terrorize the new owners.
A woman finds herself isolated in her remote home with her brother who is seeking forgiveness for the darkest moment in their family history.
A university research scientist, about to lose funding and status, has a lab accident and discovers he can see people’s true intentions — making his situation even worse.
Traditional Sunday dinners at Mama Joe’s (Irma P. Hall) turn sour when sisters Teri (Vanessa L. Williams), Bird (Nia Long) and Maxine (Vivica A. Fox) start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it’s up to grandson Ahmad (Brandon Hammond) to pull the family together and put the soul back into the family’s weekly gatherings.
A young boxer is making a name for himself inside the ring. Outside the ring, he is sucked into a world of crime. He becomes increasingly entangled in his own ambition.
Drama documentary based on Bill O’Reilly’s and Martin Dugard’s 2012 non-fiction book “Killing Kennedy: The End of Camelot”. It follows the parallel lives of John F. Kennedy and Lee Harvey Oswald from the winter 1959-1960 to those fatal days in Dallas in November 1963, when they both died within two days after each other and were buried on the same day – John F. Kennedy in a state funeral in Washington D.C., broadcast live both to Europe and the Pacific, while Oswald was buried in Forth Worth at a small funeral where the attending reporters were asked to act as pallbearers.
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
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