Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

In post-apocalyptic England, an American volunteer and a British survivor team up to fight off a brood of fire-breathing dragons seeking to return to global dominance after centuries of rest underground. The Brit — leading a clan of survivors to hunt down the King of the Dragons — has much at stake: His mother was killed by a dragon, but his love is still alive.

The non-fiction author Walter falls for the physics student Agnes. He is fascinated by her extreme attitude towards life and her reserved appearance, which is quite the opposite of his quiet and regular life. When Agnes encourages him to follow his passion for writing fiction, he starts to work on a book, a portrait of how he sees her.

Powerful magic cast by Alex spells trouble for the Russo’s. The kids must go on an adventure to save their family and their existence.

White Water is the story of a 7 year-old black kid in segregated 1963 Opelika, Alabama who becomes obsessed with the desire to taste the water from the “white’s only” drinking fountain and sets out on a quest to do the unthinkable: drink from it.

A woman on the brink of a breakdown kidnaps an abused boy, and they embark on a life-changing adventure together – as the cops and their families search for them.

In 1922, an Irish rebel informs on his friend, then feels doom closing in.

Seduced by the instant rewards of criminal activity, LEO ROBERTS (Anthony Welsh) enters the shadowy underground world of strip clubs, saunas, drugs and prostitution. Blinded by the potential power and prestige, Leo is convinced he is in control, only to realise that he has to start playing by a different set of rules. The rules set by crime boss ILIR DUKA (Mem Ferda). Leo’s chosen path, soon spirals out of control, where the stakes keep getting higher and higher, until there is no turning back.

Maigret: Night at the Crossroads tells a complex tale of murder, deceit and greed set in an isolated country community.

The film that brings back horror icon Freddy Krueger as a darker and more sinister character than ever before. While Freddy is on the prowl a group of teenagers being stalked soon learn they all have a common factor making them targets for this twisted killer.

The film explores a woman’s self destruction & healing from the traumatic after effects of rape within her relationship.

After Marnie Watson kills her abusive husband in self-defense, she is condemned to house arrest… only to discover that the house is possessed by the enraged and violent spirit of her dead husband.