Documentary examining the 2014 shooting of 17-year-old Laquan McDonald by Chicago police officer Jason Van Dyke and the cover-up that ensued.
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This material was developed and prepared over the last year or so, mostly in comedy clubs. This special kind of goes back to when he used to just make noises and be funny for no particular reason. It felt right to him to shoot this special in a club to give it that live immediate intimate feeling. The show is about an hour long. The opening act, who is seen at the beginning (good place for an opening act) is Jay London. One of his favorite club comics going way back to the late 80s when he first started in working in New York.
Under the direction of founder and world-renowned DJ Peanut Butter Wolf, Stones Throw Records has consistently released critically acclaimed, left-of-center albums since its founding in 1996. Drawing on live concert footage, never-before-seen archival material, inner-circle home video and photographs and in-depth interviews with the folks who put Stones Throw on the map, this documentary will delve deeper into the label’s enigmatic artists, history, culture and global following.
Hanna Ranch is a feature documentary about visionary cattleman Kirk Hanna and his personal struggle to protect a once prominent way of life in Colorado. Born into a life on the family ranch, Hanna became a leader in the environmental ranching movement that set out to protect the West from the relentless encroachment of development and misuse. Featured in the book Fast Food Nation and dubbed the “eco-cowboy,” he was an early adopter of Holistic Resource Management practices, sat on numerous environmental boards and was president of the Colorado Cattleman’s Association. Hanna’s opinion was so widely sought and respected, many even saw him as a future governor of Colorado. But when his dream of harmony and sustainability ran up against the reality of family conflict and mounting threats to the land, Hanna lost hope. Kirk’s legacy and fight live on as his family and friends continue to protect the West by saving Hanna Ranch.
A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?
I Am Evel Knievel features footage of Evels greatest jumps, including the seminal Snake River Canyon and Caesars Palace jumps. The film also showcases Knievels rise from a small town rebel in Butte, Montana, to a cultural icon whose rise to superstardom was built on nerves of steel and the ability to get up and do it again no matter the severity of the fall. He lived life like every day was his last, which led to a tumultuous life filled with stunts no man would ever dream of, encompassing meteoric success, wild hubris, egomaniacal mistakes, and ultimately redemption. The documentary combines original exclusive interviews with archival footage of this larger-than-life character to tell Knievels incredible story. Among those featured include Matthew McConaughey, Kid Rock, Michelle Rodriguez, Guy Fieri, Robbie Maddison and family members including sons Kelly and Robbie, and former wives Linda Knievel and Krystal Kennedy-Knievel.
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Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.
In unusual circumstances, scientists from different countries work together to achieve a common scientific goal. Locked in their spinning space lab, they are isolated from the world — family and friends – and can only watch from the outside as life on Earth continues without them. The space station is a monument not only to the weaknesses of humanity, but also to its ability to do the impossible for the sake of life in space.
Jan Saudek, Czechoslovakia’s most famous living photographer, is the subject of this often-shocking kaleidoscopic biopic by friend and colleague Adolf Zika. With an unblinking eye, Zika chronicles the drama-filled life and work of a controversial artist who, though little-known in the United States, has enjoyed international acclaim throughout his fifty-year career
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