Sci-Fi
Edward Carnby is a private investigator specializing in unexplainable supernatural phenomena. His cases delve into the dark corners of the world, searching for truth in the occult remnants of ancient civilizations. Now, the greatest mystery of his past is about to become the most dangerous case he has ever faced.
Cyborg She follows the burgeoning romance between an ordinary college student and his sassy love interest – who happens to be a time-traveling cyborg with superhuman powers. One day, a beautiful cyborg girl appears in front of a dull university student. Even though the cyborg starts to like him, she can’t truly feel emotions, so the boy has no choice but to say goodbye. Missing her, he continues his lonely existence. One day, a disastrous earthquake hits Tokyo and the cyborg girl saves his life. In that moment, she starts to have feelings like a real human being.
Those supersucking desert creatures are back — and this time they’re south of the border. As the creatures worm their way through the oil fields of Mexico, the only people who can wrangle them are veteran Earl Bassett and survivalist Burt Gummer. Add to that team a young punk out for cash and a fearless scientist, and the critters don’t stand a chance.
BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.
Emmanuelle shows a group of aliens the art of making love.
A group of aliens searching for a new planet on which to make home, with little success. Promotional short for Dreamworks Animation’s forthcoming feature, Home.
A news team is sent to Burundi to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.
A young woman named Future (Macy Wu) is sent from the year 2046 to the year 2011 in Hong Kong. Future was sent by the United Nations in order to get pregnant, where she can then extract her genes and repopulate the earth as 99% of males have become infertile in the future due to attacks from Planet Xucker. Two assassins from Xuckler (Taka Kato and Ya-wen Hseh) are sent after her to stop her. Future meets three University students: Felix (Justin Cheung), Dan-san (Andrew Kwok) and Sing (Tsui Ho-cheong). The men are obsessed with female students next door: Chin-chin (Akiho Yoshizawa), Chen-chen (Monna Lam and Sai-sai (Chen Chih-ying). The students agree to help Future find a mate at the university.
After losing a powerful orb, Kara, Superman’s cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch
A distraught college student finds a phone that enables her to talk to her deceased mother in the past. Instead of a heart attack, she learns that her mother was murdered. She tries to use the phone to stop the murder from occurring before the killer finds and kills her too.
A service which creates holographic projections of late family members allows an elderly woman to spend time with a younger version of her deceased husband.
People everywhere were enjoying a new game called Ordinal Scale, an ARMMORPG developed exclusively for the Augma, a new wearable console designed for AR (augmented reality) gaming. But, the players had no idea that a nightmare from the virtual world was starting to spread into reality! As his fellow players find themselves in danger, the hero is called upon once again.
This animated short revolves around the events causing an electrical systems failure on the west coast of the US. According to Blade Runner 2049’s official timeline, this failure leads to cities shutting down, financial and trade markets being thrown into chaos, and food supplies dwindling. There’s no proof as to what caused the blackouts, but Replicants — the bio-engineered robots featured in the original Blade Runner, are blamed.
A chunk of dark matter shoots right through earth, causing various worldwide disasters. A family in Los Angeles struggles to survive the ordeal.
A twenty something has a psychotic break while quitting smoking.
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In the future, Utopia has finally been achieved thanks to medical nanotechnology and a powerful ethic of social welfare and mutual consideration. This perfect world isn’t that perfect though, and three young girls stand up to totalitarian kindness and super-medicine by attempting suicide via starvation. It doesn’t work, but one of the girls—Tuan Kirie—grows up to be a member of the World Health Organization. As a crisis threatens the harmony of the new world, Tuan rediscovers another member of her suicide pact, and together they must help save the planet…from itself.
A classic werewolf flick with an amphibious twist; it’s a race against time to find the antidote when a girl is attacked and infected by an amphibious monster.
Kol is an evil guy about to be executed on a distant spaceship. He manages to escape on a shuttle and make his way to some woods in America. The commander of the spaceship decides to send out The Alienator to execute Kol at all costs. Kol meets up with some teens and Ward Armstrong and together they all try not to get killed by the pursuing Woman of Death – The Alienator.
In an America where everyone has superpowers, Andy, the only kid who doesn’t have one, struggles to escape a group of bullies led by Sofia, who just wants to make Andy’s life more miserable than it already is. But what begins as an ordinary ‘everyday’ beating ends up spiraling out of control, putting our hero in a life-or-death situation where courage, leadership and sacrifice will guide Andy — and Sofia — to discover the true meaning of “being special.”
Rachel and Anna return home two years after their mother’s death, and find the town abandoned with their house left in disgusting disarray. When Rachel begins hallucinating about their dead mother and some ancient artifact, terrifying clues begin falling into place surrounding their family’s past.
Ren Amari is the driven inventor of a revolutionary new drug. OtherLIfe expands the brain’s sense of time and creates virtual reality directly in the user’s mind. With OtherLife, mere seconds in real life feel like hours or days of exciting adventures. As Ren and her colleagues race around the clock to launch OtherLife, the government muscles in to use the drugs as a radical solution to prison overcrowding. They will create virtual cells where criminals serve long sentences in just minutes of real time. When Ren resists, she finds herself an unwilling guinea pig trapped in a prison cell in her mind. She must escape before she descends into madness, and then regain control of OtherLife before others suffer the same fate.
Eleven souls, trapped in an underground carpark, are attacked by deadly, remote controlled toys. Only a few will survive.
A modern and unrelentingly tense psychological thriller based on a theory of the origins of shortwave radio frequencies, Shortwave is an unnerving reminder that some stones are best left unturned.
Haunted by recurring dreams of Hea-Thor, a gorgeous cavegirl,and a menacing Allosaurus, action-movie star Tony Markham soon finds himself transported, by means of a magic Icon, back through time to Dinosaur Valley. Now trapped in world of dangerous dinosaurs, grunting cavemen and a tribe of exotic, love-starved cavegirls, Tony must put his modern-days skills to extreme tests in order to survive prehistoric perils, win the cavegirl of his dreams and (maybe) return to his own time?
Two unemployable actresses become real superheroes thanks to twin space fairies.
The story of Daemonium begins in an alternate universe to ours, in which magic and technology coexist with humans and demons. A powerful family hires a band of mercenaries and forces Fulcanelli, a wizard and con artist, to invoke a demon with the purpose of gaining even more power. Of course, things go terribly wrong. The wizard escapes and the demon slaughters the mercenaries, with the exception of Razor. He’s the one who seals the deal to become lord of the criminal underworld. The family kidnaps Lisa, his pregnant wife, and turns her into a merciless killing machine and the spear point of their offensive against Razor. But she’s not the only threat to the crime lord. It’s only a question of time before the demon returns to claim Razor’s soul. Fulcanelli seems to be the key to stopping the demon and Razor sends out his band of sexy killer robots to find him.
Detective Mark Corley storms his way onto an alien spaceship to rescue his estranged son. When the ship crashes in Southeast Asia, he forges an alliance with a band of survivors to take back the planet once and for all.
A lonely man starts a travel to meeting somebody very special.
A slave, a spy, a city under siege and a choice to be made that will change their world forever.
In the early 19th century, Dr. Frankenstein (Patrick Bergin, Sleeping with the Enemy) discovers the secret of life – how to create a perfect man – powerful, intelligent and immune to disease. But something goes wrong in the laboratory and the doctor’s hideous creation (Randy Quaid, National Lampoon’s Vacation) disappears into the night. At first, Frankenstein hoped that the horrible monster would perish in the wilderness, but now he senses that it’s alive and sets out for him. Dr. Frankenstein tracks the creature to the Arctic, where the two must battle to decide who will become the master of the other’s life…or death. “Nobody’s ever done a Frankenstein like this one and nobody’s ever done a better one” (Houston Chronicle).
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