Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain – a conflict that leads to tragedy for her family.

Leigh’s comedy short follows Gary’s (Lee Ingleby) attempt to buy a second-hand car. What should be a straightforward task is turned into something of a quest by various people, including dodgy East End car dealer Perry (Eddie Marsan), Perry’s taxi-driver dad (Sam Kelly), a garage owner called Derek (Robert Putt) and, not least, Perry’s wife Debbie (Samantha Spiro). Oh, and a couple of twins (Danielle and Nichole Bird) are thrown into the mix to cause further confusion. The narrative’s series of gags are shot through with sporting references and images of everyday folk taking part in grassroots sports. The swimmers, joggers, cyclists, five-a-side footballers and the rest underline the importance of sport, however casual, to the population in general and the East End of London in particular in this Olympic year. [Source — Channel 4]

Penny’s love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket…

A drama about the infamous 1819 Manchester massacre, which killed an estimated 18 protesters and injured up to 700.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.

A middle-aged London factory worker is shocked when the mixed-race daughter she gave up at birth decides to track her down. At first she denies she is her mother. All family members become emotional, as everyone’s secrets are exposed.

Mike Leigh’s much praised 2010 tragicomical drama. During a year, a very content couple approaching retirement are visited by friends and family less happy with their lives.

Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ranting at strangers, and meeting characters in plights very much like his own.

After their production “Princess Ida” meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to “The Mikado,” one of the duo’s greatest successes.

A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.

Eccentric British painter J.M.W. Turner lives his last 25 years with gusto and secretly becomes involved with a seaside landlady, while his faithful housekeeper bears an unrequited love for him.

Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who’s aging quickly and becoming forgetful, mum’s ghastly upper-middle-class neighbors, and Cyril’s pretentious sister and philandering husband. Shirley wants a baby, but Cyril, who reads Marx and wants the world to be perfect, is reluctant. Cyril’s mum locks herself out and must ask her snooty neighbors for help. Then Cyril’s sister Valerie stages a surprise party for mum’s 70th birthday, a disaster from start to finish. Shirley holds things together, and she and Cyril may put aside her Dutch cap after all.

A working-class family in London’s East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher’s premiership. Only the mother Mavis is working; father Frank and the couple’s two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis’s sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.