The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.

The parallel story of Anne and her grand-aunt Olivia in their experiences in India

When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy’s life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

A rule bound head butler’s world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master’s cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

28-year-old Kansas University doctoral student Omar Razaghi wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to Gund–his brother, widow, and younger mistress–so he can get authorization to write the biography. Written by Marisa_Gabriella, edited by Krystal Frauendienst

In 1909, Maurice Hall (James Wilby) enters Cambridge, where he befriends wealthy Clive Durham (Hugh Grant). Clive confesses he is sexually attracted to Maurice, who realizes he is a homosexual when he begins to return Clive’s feelings. The two embark on an intense but chaste affair to avoid tarnishing Clive’s reputation, but eventually the relationship ends, and Clive marries Anne (Phoebe Nicholls). While visiting Clive, Maurice is drawn toward his friend’s servant, Alec Scudder (Rupert Graves).

The last movie from the team of Ismail Merchant, James Ivory, and Kazuo Ishiguro. Set in 1930s Shanghai, “The White Countess” is both Sofia (Natasha Richardson), a fallen member of the Russian aristocracy, and a nightclub created by a blind American diplomat named Jackson (Ralph Fiennes), who asks Sofia to be the centerpiece of the world he wants to create.