Upon being sent to live with relatives in the countryside due to an illness, an emotionally distant adolescent girl becomes obsessed with an abandoned mansion and infatuated with a girl who lives there – a girl who may or may not be real.

After death, people have just one week to choose only a memory to keep for eternity.

On the eighth anniversary of a cult’s failed chemical attack on Tokyo and their subsequent mass suicide, family members of those affected gather at the cult’s former base on the shores of a lake to observe the anniversary of their loved ones’ deaths.

Things are hectic in heaven. Dozens of scribes sit before a long scroll incessantly scribbling away. They are composing the biographies of earth-dwellers. What is invented by the men in heaven is lived out below. And their employer, God, is increasingly vehement in demanding avant-garde ideas. Take, for example, the beautiful Yuri, a girl who dies in a car crash. Some of the heavenly scribes find this very dull and send former gangster Chas, who has become a heavenly tea-boy, back down to earth with instructions to save Yuri no matter what. And so Chas ends up in Okinawa, gets to know the earth-dwellers, interferes in their fates, becomes celebrated as ‘Mr Angel’ and is hounded by brutal enemies. His falling in love with Yuri is of course a foregone conclusion. But no one could anticipate what happens next. Not even God himself

After the forced suicide of Nobunaga Oda at the Incident at Honnō-ji, powerful figures Katsuie Shibata (Koji Yakusho), Hideyoshi Toyotomi (Yo Oizumi), Nagahide Niwa (Fumiyo Kohinata) and Tsuneoki Ikeda (Koichi Sato) meet to decide on a successor. The conference would become Japan’s first group made political decision. The meeting was known as the Kiyosu Kaigi. –AsianWiki

Kitano plays Murakawa, a Tokyo yakuza tiring of gangster life. Along with a few of his henchmen, he is sent by his boss to Okinawa to help end a gang war, supposedly to mediate between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, Murakawa’s headquarters are bombed and he and his gang are ambushed in a bar.

Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.

A Japanese Yakuza gangster’s deadly existence in his homeland gets him exiled to Los Angeles, California, where he is taken in by his little brother and his brother’s gang. This is the first English film by Takeshi Kitano.

Twelve years after their beloved eldest son, Junpei, drowned while saving a stranger’s life, Kyohei and Toshiko welcome their surviving children home for a family reunion. Younger son Ryota still feels that his parents resent that he isn’t the one who died; his new wife, Yukari, is awkwardly meeting the rest of the family for the first time. Daughter Chinami strains to fill the uncomfortable pauses with forced cheer.

As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.

A police officer leaves the force in the face of harrowing personal and professional difficulties. Spiraling into a depression, he makes questionable decisions.

Through round after round of extensive plastic surgery and vigorous maintenance, Ririko has become the absolute manifestation of beauty, and becomes a wildly successful model, actress, and singer. However, soon, her body, unable to withstand the burdens of surgery, begins to crumble, and along with it so does her mind, as she plummets towards a frightening and inevitable end.